⑴ 海明威的写作风格
海明威的写作风格:简练直观、擅长短篇创作、情感含蓄、朴实、极少比喻和说明。
简练直观:海明威曾经的记者的经历教会他如何使用短句和简洁的段落表达,并使用积极和正面的语言。少用形容词、抽象名词、复杂语法结构,这样更易理解。
擅长短篇:他从不写长篇,他只截取故事的一个时间段或一个时间点,以集中反映重大的主题或历史事件。至于故事经过和背景,则当作冰山的八之七隐于海洋之下,但他又要让读者强烈地感到它的存在。
情感含蓄:海明威很少直接对事件做出评论和解释,他只通过客观的叙述、事物感情的描述,融入自己对事件自然平和的说明,给读者仅仅一个描述性的表达,如冰山海面上的八分之一,其他部分让读者自己感受和理解。
朴实:海明威所创造出的小说中的人物不是靠技巧和想象编造出来的角色。他们必须是出自作者自己经过融化了的切身体验,出自他的知识,出自他的头脑,出自他的内心,出自一切他身上的东西。
为此,他摒弃那种渲染人物的华丽辞藻,删去一般认为必不可少的说明和议论以及一切冗赘的比喻,破除毫无生气的文章俗套,以简洁洗练的文笔还给文章以本来面目。
(1)海明威写作特色英语作文扩展阅读:
人物简介
欧内斯特·米勒尔·海明威,出生于美国伊利诺伊州芝加哥市郊区奥克帕克,美国作家、记者,被认为是20世纪最著名的小说家之一。
海明威被誉为美利坚民族的精神丰碑,并且是“新闻体”小说的创始人,他的笔锋一向以“文坛硬汉”著称。
海明威的生平和文学生涯从一开始就争议不断。无论海明威是作为一位传奇式人物,还是作为一位作家,他以其独特的艺术风格和高超的写作技巧创造了一种简洁流畅、清新洗练的文体,净化了一代的传统文风,在欧美文学界产生了巨大的影响。
海明威一生中的感情错综复杂,先后结过四次婚,是美国“迷惘的一代”中的代表人物,作品中对人生、世界、社会都表现出了迷茫和彷徨。海明威的作品标志着他独特创作风格的形成,在美国文学史乃至世界文学史上都占有重要地位。
⑵ ernest hemingway小说写作特点(英文)
1. to the point
我找到篇文章挺好的,而且不长,不过禁止右键,我粘贴不下来,你可以看看。是写海明威的文章比很多作家的文章更要切到重点。
His story were more of a “get to the point” style
http://www.planetpapers.com/Assets/4114.php
2.simplicity and the same theme is often used
这里有一篇,讲的是海明威的作品有趣是因为它的作品更简练而且同一个主题在多部作品中应用。
The parodies of Hemingway’s writing style are perhaps the more fun to read because of Hemingway’s ultimate simplicity and because he so often used the same style and the same themes in much of his work.
http://www.cliffsnotes.com/WileyCDA/LitNote/Hemingway-s-Short-Stories-Critical-Essay-Hemingway-s-Style.id-10,pageNum-70.html
这里有篇老人与海的也不错,可以参考一下
评《老人与海》中海明写作风格和手法
http://www.govyi.com/paper/n3/g/200605/60465_2.shtml
⑶ 写一篇关于海明威的英语作文
Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American writer and journalist. He was part of the 1920s expatriate community in Paris, and one of the veterans of World War I later known as "the Lost Generation." He received the Pulitzer Prize in 1953 for The Old Man and the Sea, and the Nobel Prize in Literature in 1954.
Hemingway's distinctive writing style is characterized by economy and understatement, and had a significant influence on the development of twentieth-century fiction writing. His protagonists are typically stoical men who exhibit an ideal described as "grace under pressure." Many of his works are now considered classics of American literature.
⑷ 跪求美国作家海明威的英文介绍
Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American novelist, short-story writer, and journalist. Nicknamed "Papa", he was part of the 1920s expatriate community in Paris known as "the Lost Generation", as described in his memoir A Moveable Feast. He led a turbulent social life, was married four times, and allegedly had various romantic relationships ring his lifetime.[citation needed] For a serious writer, he achieved a rare cult-like popularity ring his lifetime. Hemingway received the Pulitzer Prize in 1953 for The Old Man and the Sea. He received the Nobel Prize in Literature in 1954. During his later life, Hemingway suffered from increasing physical and mental problems. In July 1961, he commited suicide by shooting himself.
Hemingway's distinctive writing style is characterized by economy and understatement and had a significant influence on the development of twentieth-century fiction writing. His protagonists are typically stoic males who must show "grace under pressure." Many of his works are now considered canonical in American literature.
⑸ 海明威的写作特点
1、海明威有着出色的语言驾驭能力,他常以最简单的词汇表达最复杂的内容,用基本词汇、简短句式等表达具体含义,用名词、动词来揭示事物的本来面目,丝毫无矫揉造作之感。
2、海明威用高度清晰的视觉化语言,将视觉、嗅觉、听觉等感官印象付诸语言,写出了事物的形状、颜色、味道等,以直接的物象表现宇宙与生命。
3、海明威有自己特殊的艺术风格,他强调写作的客观性与主题思想的隐晦含蓄,反对作者直接出场对人物进行评说与暗示,他常用含蓄的语言表达复杂的情感,用有限的形式表达无尽的内涵,因而,他的小说在外观不动声色,但内在情感却是丰厚炽热。
4、从叙事的方式来看,海明威的小说的对话是“展示”,而不是“讲述”。它是属于柏拉图所区分的“完美模仿”的一种,而不是“纯叙事”的那种,它想造成一种程度不同的“模仿错觉”,就是“诗人竭力造成不是他本人在说话”,而是某一个人物在说话的假象。
5、从男女关系的主题去分析海明威,不难看出,尽管热衷于描写男人的野性与英勇,海明威却间接表现了他对女人的恐惧与憎恨。
(5)海明威写作特色英语作文扩展阅读:
人物影响
海明威被誉为美利坚民族的精神丰碑,并且是“新闻体”小说的创始人,他的笔锋一向以“文坛硬汉”著称。
海明威的生平和文学生涯从一开始就争议不断。无论海明威是作为一位传奇式人物,还是作为一位作家,他以其独特的艺术风格和高超的写作技巧创造了一种简洁流畅、清新洗练的文体,净化了一代的传统文风,在欧美文学界产生了巨大的影响。
二十世纪的最后一位文化英雄海明威是蜚声世界文坛的美国现代小说家,他在62年的生涯中,写下了《太阳照常升起》、《永别了,武器》、《丧钟为谁而鸣》、《老人与海》等作品,曾以“迷惘的一代”的代表著称。
⑹ 急!急!急!英语的海明威 写作风格,手法,和文学重要性
Writing style(写作风格)
The New York Times wrote in 1926 of Hemingway's first novel, "No amount of analysis can convey the quality of The Sun Also Rises. It is a truly gripping story, told in a lean, hard, athletic narrative prose that puts more literary English to shame." The Sun Also Rises is written in spare, tightly written prose, for which Hemingway became famous; a style that has influenced countless crime and pulp fiction novels. In 1954, when Hemingway was awarded the Nobel Prize for Literature, it was for "his mastery of the art of narrative, most recently demonstrated in The Old Man and the Sea, and for the influence that he has exerted on contemporary style."Because he began as a writer of short stories, Baker believes Hemingway learned to "get the most from the least, how to prune language, how to multiply intensities and how to tell nothing but the truth in a way that allowed for telling more than the truth." Hemingway called his style the iceberg theory: the facts float above water; the supporting structure and symbolism operate out of sight. The concept of the iceberg theory is sometimes referred to as the "theory of omission." Hemingway believed the writer could describe one thing (such as Nick Adams fishing in "The Big Two-Hearted River") though an entirely different thing occurs below the surface (Nick Adams concentrating on fishing to the extent that he does not have to think about anything else).
Themes(手法)
The recurring themes of American literature are clearly evident in Hemingway's work. Critic Leslie Fiedler sees the theme he defines as "The Sacred Land"—the American West—extended in Hemingway's work to include mountains in Spain, Switzerland and Africa, and to the streams of Michigan. The American West is given a symbolic nod with the naming of the "Hotel Montana" in The Sun Also Rises and For Whom the Bell Tolls. Although Hemingway writes about sports, Carlos Baker believes the emphasis is more on the athlete than the sport. According to Stoltzfus and Fiedler, Hemingway's nature is a place for rebirth, for therapy, and the hunter or fisherman has a moment of transcendence when the prey is killed. Nature is where men are without women: men fish; men hunt; men find redemption in nature.
Fiedler believes Hemingway inverts the American literary theme of the evil "Dark Woman" versus the good "Light Woman". The dark woman—Brett Ashley of The Sun Also Rises—is a goddess; the light woman—Margot Macomber of "The Short Happy Life of Francis Macomber"—is a murderess. Robert Scholes admits that early Hemingway stories, such as "A Very Short Story", present "a male character favorably and a female unfavorably."According to Rena Sanderson, early Hemingway critics lauded his male-centric world of masculine pursuits, and the fiction divided women into "castrators or love-slaves." Feminist critics attacked Hemingway as "public enemy number one", although more recent re-evaluations of his work "have given new visibility to Hemingway's female characters (and their strengths) and have revealed his own sensitivity to gender issues, thus casting doubts on the old assumption that his writings were one-sidedly masculine." Nina Baym believes that Brett Ashley and Margot Macomber "are the two outstanding examples of Hemingway's 'bitch women.'"
The theme of women and death is evident in stories as early as "Indian Camp". The theme of death permeates Hemingway's work. Young believes the emphasis in "Indian Camp" was not so much on the woman who gives birth or the father who commits suicide, but on Nick Adams who witnesses these events as a child, and becomes a "badly scarred and nervous young man." Hemingway sets the events in "Indian Camp" that shape the Adams persona. Young believes "Indian Camp" holds the "master key" to "what its author was up to for some thirty-five years of his writing career." Stoltzfus considers Hemingway's work to be more complex with a representation of the truth inherent in existentialism: if "nothingness" is embraced, then redemption is achieved at the moment of death. Those who face death with dignity and courage live an authentic life. Francis Macomber dies happy because the last hours of his life are authentic; the bullfighter in the corrida represents the pinnacle of a life lived with authenticity. In his paper The Uses of Authenticity: Hemingway and the Literary Field, Timo Mü writes that Hemingway's fiction is successful because the characters live an "authentic life", and the "soldiers, fishers, boxers and backwoodsmen are among the archetypes of authenticity in modern literature".
The theme of emasculation is prevalent in Hemingway's work, most notably in The Sun Also Rises. Emasculation, according to Fiedler, is a result of a generation of wounded soldiers; and of a generation in which women such as Brett gained emancipation. This also applies to the minor character, Frances Clyne, Cohn's girlfriend in the beginning in the book. Her character supports the theme not only because the idea was presented early on in the novel but also the impact she had on Cohn in the start of the book while only appearing a small number of times. Baker believes Hemingway's work emphasizes the "natural" versus the "unnatural". In "Alpine Idyll" the "unnaturalness" of skiing in the high country late spring snow is juxtaposed against the "unnaturalness" of the peasant who allowed his wife's dead body to linger too long in the shed ring the winter. The skiers and peasant retreat to the valley to the "natural" spring for redemption.
Some critics have characterized Hemingway's work as misogynistic and homophobic. Susan Beegel analyzed four decades of Hemingway criticism, published in her essay "Critical Reception". She found, particularly in the 1980s, "critics interested in multiculturalism" simply ignored Hemingway; although some "apologetics" have been written. Typical is this analysis of The Sun Also Rises: "Hemingway never lets the reader forget that Cohn is a Jew, not an unattractive character who happens to be a Jew but a character who is unattractive because he is a Jew." During the same decade, according to Beegel, criticism was published that investigated the "horror of homosexuality", and racism in Hemingway's fiction.
Influence and legacy(文学重要性)
Hemingway's legacy to American literature is his style: writers who came after him emulated it or avoided it.After his reputation was established with the publication of The Sun Also Rises, he became the spokesperson for the post–World War I generation, having established a style to follow. His books were burned in Berlin in 1933, "as being a monument of modern decadence", and disavowed by his parents as "filth". Reynolds asserts the legacy is that "he left stories and novels so starkly moving that some have become part of our cultural heritage." In a 2004 speech at the John F. Kennedy Library, Russell Banks declared that he, like many male writers of his generation, was influenced by Hemingway's writing philosophy, style, and public image. Müller reports that Hemingway "has the highest recognition value of all writers worldwide".
Benson believes the details of Hemingway's life have become a "prime vehicle for exploitation", resulting in a Hemingway instry. Hemingway scholar Hallengren believes the "hard boiled style" and the machismo must be separated from the author himself.Benson agrees, describing him as introverted and private as J. D. Salinger, although Hemingway masked his nature with braggadocio. In fact, ring World War II, Salinger met and corresponded with Hemingway, whom he acknowledged as an influence. In a letter to Hemingway, Salinger claimed their talks "had given him his only hopeful minutes of the entire war" and jokingly "named himself national chairman of the Hemingway Fan Clubs."
The extent of Hemingway's influence is seen in the tributes and echoes of his fiction in popular culture. A minor planet, discovered in 1978 by Soviet astronomer Nikolai Stepanovich Chernykh, was named for him (3656 Hemingway); Ray Bradbury wrote The Kilimanjaro Device, with Hemingway transported to the top of Mount Kilimanjaro; the 1993 motion picture Wrestling Ernest Hemingway, about the friendship of two retired men, Irish and Cuban, in a seaside town in Florida, starred Robert Duvall, Richard Harris, Shirley MacLaine, Sandra Bullock, and Piper Laurie. The influence is evident with the many restaurants named "Hemingway"; and the proliferation of bars called "Harry's" (a nod to the bar in Across the River and Into the Trees). A line of Hemingway furniture, promoted by Hemingway's son Jack (Bumby), has pieces such as the "Kilimanjaro" bedside table, and a "Catherine" slip-covered sofa. Montblanc offers a Hemingway fountain pen, and a line of Hemingway safari clothes has been created. The International Imitation Hemingway Competition was created in 1977 to publicly acknowledge his influence and the comically misplaced efforts of lesser authors to imitate his style. Entrants are encouraged to submit one "really good page of really bad Hemingway" and winners are flown to Italy to Harry's Bar.
In 1965 Mary Hemingway established the Hemingway Foundation and in the 1970s she donated her husband's papers to the John F. Kennedy Library. In 1980 a group of Hemingway scholars gathered to assess the donated papers, subsequently forming the Hemingway Society, "committed to supporting and fostering Hemingway scholarship."
Almost exactly 35 years after Hemingway's death, on July 1, 1996, his granddaughter Margaux Hemingway died in Santa Monica, California. Margaux was a supermodel and actress, co-starring with her sister Mariel in the 1976 movie Lipstick. Her death was later ruled a suicide, making her "the fifth person in four generations of her family to commit suicide."
⑺ 美国作家海明威的写作风格 最好英文
美国 “迷惘一代” 的著名代表人,硬汉风格
⑻ 求以海明威为题的英语作文
标题 Good man 内容Oh!HaiMingWei?I am your father!Dou you know?Ha,Ha!
⑼ 海明威写作风格
1、朴实
海明威有着出色的语言驾驭能力,他常以最简单的词汇表达最复杂的内容,专用基本词属汇、简短句式等表达具体含义,用名词、动词来揭示事物的本来面目,丝毫无矫揉造作之感。
2、直观
文学艺术要表现情感,但情感却是依靠事物的外观透视出来的,越是对事物外观的直接描摹,越能产生强烈的视觉真实性,越能拉近读者与作家的距离。
3、含蓄情感
海明威有自己特殊的艺术风格,他强调写作的客观性与主题思想的隐晦含蓄,反对作者直接出场对人物进行评说与暗示,他常用含蓄的语言表达复杂的情感,用有限的形式表达无尽的内涵,因而,他的小说在外观不动声色,但内在情感却是丰厚炽热。
(9)海明威写作特色英语作文扩展阅读:
人物影响
海明威被誉为美利坚民族的精神丰碑,并且是“新闻体”小说的创始人,他的笔锋一向以“文坛硬汉”著称。
海明威的生平和文学生涯从一开始就争议不断。无论海明威是作为一位传奇式人物,还是作为一位作家,他以其独特的艺术风格和高超的写作技巧创造了一种简洁流畅、清新洗练的文体,净化了一代的传统文风,在欧美文学界产生了巨大的影响。