简奥斯汀的英语写作艺术

㈠ 简奥斯汀的写作风格

1）讽刺手法的运用
奥斯丁的讽刺艺术，不仅表现在某些人物的喜剧性格上，也不仅表现在众多情节的喜剧性处理上，而且还融汇在整个故事的反讽构思中，让现实对人们的主观臆想进行嘲讽。男主角达西最初断定，贝内特家有那么多不利因素，几个女儿很难找到有地位的男人，可后来恰恰是他娶了伊丽莎白。而伊丽莎白呢，她曾发誓决不嫁给达西，可最后还是由她做了达西夫人。再看看那个不可一世的凯瑟琳·德布尔夫人，为了阻止伊丽莎白与她外甥达西攀亲，她不辞辛劳，亲自出马，先是跑来威吓伊丽莎白，继而跑去训诫达西，殊不知正是她这次奔走为两位默默相恋的青年通了信息，促成了他们的美满结合。更令人啼笑皆非的是，就在这几位“智者”受到现实嘲弄的同时，书中那位最可笑的“愚人”贝内特太太，最后却被证明是最正确的。她认为：“有钱的单身汉总要娶位太太，这是一条举世公认的真理。”这种荒谬与“真理”的滑稽转化，尽管超越了一般意义上的是非观念，但却体现了作者对生活的深刻思索。
2）对话的运用
对话，是文学创作塑造人物形象的基本材料和基本手段。奥斯丁在创造人物对话时，一方面注意运用对话来刻画人物形象，另一方面又善于利用说话人、听话人、读者在动机和理解上的差异，制造多层次语调，致使她的对话具有既鲜明生动、富有个性，又含意丰富、耐人寻味两大特色。例如第一卷第十章，达西趁宾利小姐弹起一支苏格兰小曲的当儿，邀请伊丽莎白跳舞：“贝内特小姐，你是不是很想抓住这个机会跳一曲里尔舞？”达西这话说得虽然有些傲慢（“很想抓住”四个字足以表明这一点），但他主观上还是想讨好伊丽莎白。可是伊丽莎白听起来却不以为然。她认为里尔舞是一种乡土舞，达西请她跳这种舞，是想蔑视她的“低级趣味”，于是正颜厉色地说道：“我压根儿不想跳里尔舞——现在，你是好样的就蔑视我吧。”达西回答了一声：“实在不敢。”这句答话可能做出多层解释：伊丽莎白仅仅看作对方是在献殷勤，宾利小姐可能理解成想结“良缘”的表示，而读者只要多读几段便会发现，达西心里可能在想：“这位迷人的小姐着实厉害，我这次只得认输，以后可得谨慎从事。”类似这种微妙的对话，在小说里还有很多。奥斯丁在《诺桑觉寺》第五章，曾用饱含热情的语言赞扬了新小说：“……总而言之，只是这样一些作品，在这些作品中，智慧的伟力得到了最充分的施展，因而，对人性的最透彻的理解，对其千姿百态的恰如其分的描述，四处洋溢的机智幽默，所有这一切都用最精湛的语言展现出来。”

㈡ 翻译简奥斯汀八个写作特点

1。一个传统和保守的人谁举行的道德价值观提出的基督教。

2。人们应该有自我控制和回自我认识。而人们也答应该是实际的和负责任的。

3。不包含任何内容相关的那些政治和社会动荡在她的年龄。

4。重点放在她周围的小世界。特别是关于爱情和婚姻之间的年轻女士们、先生们来自富裕的家庭。

6。敏锐的观察和深入的分析，人类的本性和人的关系的基础上，从初中和高中班。

7。幽默，诙谐的对话和众多一些温和的讽刺。

8。她一度比她的工作精细雕刻了一小块象牙只有2平方英寸。这是一个极好的评论。

㈢ 简.奥斯丁的写作特点.(英文介绍)

Jane Austen's (1775–1817) distinctive literary style relies on a combination of parody, burlesque, irony, free indirect speech, and a degree of realism. She uses parody and burlesque for comic effect and to critique the portrayal of women in 18th-century sentimental and gothic novels. Austen's irony is used similarly, but extends her critique, highlighting social hypocrisy. She often creates an ironic tone through free indirect speech, in which the thoughts and words of the characters mix with the voice of the narrator. The degree to which critics believe Austen's characters have psychological depth informs their views regarding her realism. While some scholars argue that Austen falls into a tradition of realism because of her diligent, finely executed portrayal of indivial characters and her emphasis on "the everyday", others contend that her characters lack depth of feelings compared with earlier works, and that this, combined with Austen's polemical tone, places her outside the realist tradition.

Austen's novels have often been characterized as "country house novels" or as "comedies of manners", however they also include fairy tale elements. Compared to other early 19th-century novels, Austen's have little narrative or scenic description—they contain much more dialogue. Within the many conversations that her characters have, Austen shapes a distinctive and subtlety-constructed voice for each of them.

Austen's plots are fundamentally about ecation; her heroines come to see themselves and their conct more clearly, and become better, more moral people. While Austen steers clear of the formal moralizing which is rather common in contemporary literature, morality—characterized by manners, ty to society, and religious seriousness—is a central theme of her works. Throughout her novels, serious reading is associated with intellectual and moral development. The extent to which Austen's novels reflect feminist themes has been extensively debated by scholars; however, most critics agree that her novels highlight how some female characters take charge of their own worlds while others are confined, physically and spiritually. Almost all of her works explore the precarious economic situation in which women of the late 18th and early 19th centuries found themselves.

Austen's novels have variously been described as politically conservative and progressive. For example, one strand of criticism claims that Austen's heroines support the existing social structure through their dedication to ty and sacrifice of their personal desires. Another strand, however, argues that she is skeptical of the paternalistic ruling other, evidenced by her ironic tone. Within her exploration of the political issues surrounding the gentry, Austen addresses issues relating money and property, particularly the arbitrariness of property inheritance and the precarious economic position of women. Throughout Austen's work there is a tension between the claims of society and the claims of the indivial. Austen is often considered one of the originators of the modern, interiorized novel character.

来自英文维基，仅做参考。希望能帮助到你。

㈣ 简奥斯丁作品的艺术特色

【文字特色】1）讽刺手法的运用 奥斯丁的讽刺艺术，不仅表现在某些人物的喜剧性格上，也不仅表现在众多情节的喜剧性处理上，而且还融汇在整个故事的反讽构思中，让现实对人们的主观臆想进行嘲讽。男主角达西最初断定，贝内特家有那么多不利因素，几个女儿很难找到有地位的男人，可后来恰恰是他娶了伊丽莎白。而伊丽莎白呢，她曾发誓决不嫁给达西，可最后还是由她做了达西夫人。再看看那个不可一世的凯瑟琳·德布尔夫人，为了阻止伊丽莎白与她外甥达西攀亲，她不辞辛劳，亲自出马，先是跑来威吓伊丽莎白，继而跑去训诫达西，殊不知正是她这次奔走为两位默默相恋的青年通了信息，促成了他们的美满结合。更令人啼笑皆非的是，就在这几位“智者”受到现实嘲弄的同时，书中那位最可笑的“愚人”贝内特太太，最后却被证明是最正确的。她认为：“有钱的单身汉总要娶位太太，这是一条举世公认的真理。”这种荒谬与“真理”的滑稽转化，尽管超越了一般意义上的是非观念，但却体现了作者对生活的深刻思索。 2）对话的运用 对话，是文学创作塑造人物形象的基本材料和基本手段。奥斯丁在创造人物对话时，一方面注意运用对话来刻画人物形象，另一方面又善于利用说话人、听话人、读者在动机和理解上的差异，制造多层次语调，致使她的对话具有既鲜明生动、富有个性，又含意丰富、耐人寻味两大特色。例如第一卷第十章，达西趁宾利小姐弹起一支苏格兰小曲的当儿，邀请伊丽莎白跳舞：“贝内特小姐，你是不是很想抓住这个机会跳一曲里尔舞？”达西这话说得虽然有些傲慢（“很想抓住”四个字足以表明这一点），但他主观上还是想讨好伊丽莎白。可是伊丽莎白听起来却不以为然。她认为里尔舞是一种乡土舞，达西请她跳这种舞，是想蔑视她的“低级趣味”，于是正颜厉色地说道：“我压根儿不想跳里尔舞——现在，你是好样的就蔑视我吧。”达西回答了一声：“实在不敢。”这句答话可能做出多层解释：伊丽莎白仅仅看作对方是在献殷勤，宾利小姐可能理解成想结“良缘”的表示，而读者只要多读几段便会发现，达西心里可能在想：“这位迷人的小姐着实厉害，我这次只得认输，以后可得谨慎从事。”类似这种微妙的对话，在小说里还有很多。奥斯丁在《诺桑觉寺》第五章，曾用饱含热情的语言赞扬了新小说：“……总而言之，只是这样一些作品，在这些作品中，智慧的伟力得到了最充分的施展，因而，对人性的最透彻的理解，对其千姿百态的恰如其分的描述，四处洋溢的机智幽默，所有这一切都用最精湛的语言展现出来。”

㈤ 简.奥斯汀的写作属于什么风格

简·奥斯汀（Jane Austen，1775年12月日－1817年7月18日）是英国著名女性小说家，她的作品主要关注乡绅家庭女性的婚姻和生活，以女性特有的细致入微的观察力和活泼风趣的文字真实地描绘了她周围世界的小天地。

补充回答： 简·奥斯汀（1775年12月16日～1817年7月18日）英国女小说家。生于乡村小镇斯蒂文顿，有6个兄弟和一个姐姐，家境尚可。父亲乔治·奥斯汀（George Austen，1731年—1805年）是当地一名牧师。母亲卡桑德拉（1739年—1827年）。奥斯汀没有上过正规学校，但受到较好的家庭教育，主要教材就是父亲的文学藏书。奥斯汀一家爱读流行小说，多半是庸俗的消遣品。她少女时期的习作就是对这类流行小说的滑稽模仿，这样就形成了她作品中嘲讽的基调。她20岁左右开始写作，共发表了6部长篇小说。1811年出版的《理智与情感》是她的处女作，随后又接连发表了《傲慢与偏见》（1813）、《曼斯菲尔德花园》（1814）和《爱玛》（1815）。《诺桑觉寺》（又名《诺桑觉修道院》）和《劝导》（1818）是在她去世后第二年发表的，并署上了作者真名。
简·奥斯汀一生未嫁。1796年，她与后来成为爱尔兰最高法官的汤姆·勒弗罗伊（Tom Lefroy）有过短暂的罗曼史，据传他就是《傲慢与偏见》中达西先生的原型。1802年，一名比奥斯汀小六岁的富有男子哈里斯·彼格威瑟（Harris Bigg-Wither）向她求婚。奥斯汀最初接受了，次日又改变主意拒绝了他。
1801年，奥斯汀的父亲退休后，全家迁居到疗养胜地巴斯。就像笔下的女主人公安妮·艾略特一样，奥斯汀并不喜欢巴斯，这也许与她家庭经济状况日趋拮据有关。
1805年父亲去世后，奥斯汀跟随母亲和姐姐到南安普敦与兄长弗兰克住了几年。1809年又移居查顿（Chawton）投奔兄长爱德华。那里的小屋现在是奥斯汀纪念馆，成为了著名的旅游景点。奥斯汀后期的作品就是在那里写作的。
1816年，奥斯汀的健康状况恶化，她于1817年搬到温彻斯特疗养，并于同年7月病逝。葬在温彻斯特大教堂。
奥斯汀兄弟中詹姆斯和亨利后来也从事神职，弗朗西斯和查尔斯则成供职英国海军。珍与她的姐姐卡桑德拉关系密切，她们之间的信件为后世奥斯汀研究提供了很多素材。卡桑德拉为简·奥斯汀所作的画像目前保存在伦敦的国家肖像馆内。

㈥ 简奥斯丁简介英汉互译的

简·奥斯汀简介

JaneAusten is a famous British female novelist, her work has focused primarily onthe squire family female marriage life, to female specific nuanced observationand lively and humorous text truly depicts the one's own little world in heraround the world.

JaneAusten.

Foreignname: Austen Jane

Nationality:British

Birthplace:Steven Don Town, UK

Dateof birth: December 16, 1775

Dateof death:

July18, 1817

Occupation:novelist

Mainachievement:

Writea lot of world famous masterpiece

Representativeworks: "sense and sensibility" in "Pride and Prejudice""Emma" "Persuasion"

Austenwas unmarried, a well-to-do family. Because of living in the rural town, accessto the middle and small landlords, priests and others

JaneAusten

Aswell as their quiet and comfortable living environment, there is no significantsocial contradiction in her works. She to the female specific nuancedobservation, truly depicts the one's own little world in her around the world,especially among ladies and gentlemen in marriage and love affair. Her workstyle is relaxed and humorous, full of comedy conflict, popular with readers.From the end of the 18th century to the beginning of the 19th century, vulgarand boring "sentimental novel" and the "Gothic novel" fullof British literary scene, and Austen iconoclastic, an anti conventional showedwere not affected by the impact of capitalist instrial revolution of Britishcountryside middle class daily life and pastoral scenery. She often worksthrough the comic scenes of people ridiculed the stupid, selfish, snobbish andblind confidence as contemptible ridiculous weakness. Austin'snovel appeared in the early part of the 19th century, all the rage swept offthe tide of romanticism, inherited and developed in Britain in the 18th century outstandingrealist tradition, the climax of the realistic novels in the nineteenthcentury. Although the works reflect the breadth and depth of the limited, buther works such as "two inches ivory, from a small window peep to the wholesociety to form and worldly wisdom, then to change the vulgar ethos in thecreation of the novel the good

Roleas a connecting link in the history of the development of the English novel,was hailed as the status "on an equal footing with Shakespeare"writer.

㈦ 简奥斯汀英语作文

途咕咕咕

㈧ 简 奥斯汀 的英文资料.

简奥斯汀生平和介绍她作品的的英文简介

Jane Austen (16 December 1775 – 18 July 1817) was an English novelist whose realism, biting social commentary and masterful use of free indirect speech, burlesque and irony have earned her a place as one of the most widely read and best-loved writers in English literature.[1]

Austen lived her entire life as part of a small and close-knit family located on the lower fringes of English gentry.[2] She was ecated primarily by her father and older brothers as well as through her own reading. The steadfast support of her family was critical to Austen's development as a professional writer.[3] Austen's artistic apprenticeship lasted from her teenage years until she was about thirty-five years old. During this period, she wrote three major novels and began a fourth.[B] From 1811 until 1815, with the release of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1815), she achieved success as a published writer. She wrote two additional novels, Northanger Abbey and Persuasion, both published after her death in 1817, and began a third, which was eventually titled Sanditon, but died before completing it.

Austen's works critique the novels of sensibility of the second half of the eighteenth century and are part of the transition to nineteenth-century realism.[4][C] Austen's plots, though fundamentally comic,[5] highlight the dependence of women on marriage to secure social standing and economic security.[6] Like those of Samuel Johnson, one of the strongest influences on her writing, her works are concerned with moral issues.[7]

During her lifetime, Austen's works brought her little fame and only a few positive reviews. Through the mid-nineteenth century, her novels were admired only by a literary elite. However, the publication of her nephew's A Memoir of Jane Austen in 1869 introced her life and works to a wider public. By the 1940s, Austen was firmly ensconced in academia as a "great English writer", and the second half of the twentieth century saw a proliferation of Austen scholarship that explored many aspects of her novels: artistic, ideological, and historical. In popular culture, a Janeite fan culture has developed, centred on Austen's life, her works, and the various film and television adaptations of them.

关于他的作品：http://ke..com/view/73915.html?wtp=tt

㈨ 评析一下夏洛蒂勃朗特、艾米莉勃朗特、简奥斯汀的写作风格。

1.夏洛蒂的作品主要描写贫苦的小资产者的孤独、反抗和奋斗。2.艾米莉是对极端爱情和人格的专描写属。3.奥斯丁以女性特有的细致入微的观察力，真实地描绘了她周围世界的小天地，尤其是绅士淑女间的婚姻和爱情风波。她的作品格调轻松诙谐，富有喜剧性冲突。 体现爱情与伦理观。

㈩ 请高手帮忙写一下简·奥斯汀的英语简介

Jane Austen (Jane Austen ,1775.12.16 - 1817 .7.18), 1775年 was born in the United Kingdom Hampshire Steven Dayton, eight brothers and sisters. The father and served as the head of the more than 40 years. He is a profound knowledge of the priest, his wife from a relatively wealthy family, also have a certain cultural enrichment. Therefore, although not Austin into a regular school, but the family's fine conditions and environmental studies, has given her self-conditions to cultivate her interest in writing. Shi Sansi-year-old, she started to write things that her language in the order. In 1800 his father retired, the family moved to Bath, lived around 2004, he died in the place, so Austin and his mother, sister and moved to Southampton, then moved to Qiaodeng 1809. Early 1816 she had tuberculosis, the increasingly frail body, in May 1817 was sent to Winchester for treatment, but treatment does not work, unfortunately in the same year on July 18 died in the arms of her sister,. Her life unmarried, buried in Winchester Cathedral.