『壹』 英语中的修辞
排比的修辞手法!
『贰』 英语修辞问题
assonance(协音):重复某个发音相同或相似的音节,比如例句中的Thy/thy和-dom/done。
eg: Thy kingdom come, thy will be done.
synesis 表示单词的搭配符合逻辑,但不符合语法,比如例句中的anyone和them。
eg: If anyone calls, tell them I am out.
paradox(佯谬):似是而非、或者似非而是的表达,比如例句中关于youth的看法。
eg: Less is more.
metanoia: 表示自我修正,correction,修正自己前面说的一句话。(这是我自己理解)
eg: I will murder you. You whall be punished.
aporia(假装疑问):假装表示疑问,做出对某件事情好象不太肯定的样子,比如例句的最后部分。
eg: Then the steward said within himself, 'What shall I do?'
asyndeton(连接词省略):省略单词、短语或从句之间的连接词,比如例句省略了两个连接词and。
eg: But, in a larger sense, we cannot dedicate, we cannot consecrate, we cannot hallow this ground.
cacophony和euphony 我也在找...
cacophony(杂音):使用一组发音不和谐的单词,以便让人听着不舒服,比如例句中的一组单词。
eg: We want no parlay with you and your grisly gang who work your wicked will.
euphony: 悦耳的音调; 谐音,使发音变容易的趋势,与cacophony相反。
我考研也遇到这些,有时间可以交流下。
『叁』 英语修辞irony例句
Her capacity for family affection is extraordinary 这句用的是反语
『肆』 英语25个修辞手法以及例句 急急急
英语修辞手法
1) Simile:(明喻) is a figure of speech which makes a comparison between two unlike elements having at least one quality or characteristic (特性)in common. To make the comparison, words like as, as...as, as if and like are used to transfer the quality we associate with one to the other. For example, As cold waters to a thirsty soul, so is good news from a far country./ This elephant is like a snake as anybody can see.
2) Metaphor:(暗喻)It is like a simile, also makes a comparison between two unlike elements, but unlike a simile, this comparison is implied rather than stated. For example, the world is a stage./ The diamond department was the heart and center of the store.
3) Analogy: (类比)It is also a form of comparison, but unlike simile or metaphor which usually uses comparison on one point of resemblance, analogy draws a parallel between two unlike things that have several common qualities or points of resemblance.
4) Personification: (拟人)It gives human form of feelings to animals, or life and personal attributes(赋予) to inanimate(无生命的) objects, or to ideas and abstractions(抽象). For example, the wind whistled through the trees.
5) Hyperbole: (夸张) It is the deliberate use of overstatement or exaggeration to achieve emphasis. For instance, he almost died laughing.
6) Understatement: (含蓄陈述) It is the opposite of hyperbole, or overstatement. It achieves its effect of emphasizing a fact by deliberately(故意地) understating it, impressing the listener or the reader more by what is merely implied or left unsaid than by bare statement. For instance, It is no laughing matter.
7) Euphemism: (委婉)It is the substitution of an agreeable or inoffensive(无冒犯) expression for one that may offend or suggest something unpleasant. For instance, we refer to "die" as” pass away".
8) Metonymy (转喻) It is a figure of speech that has to do with the substitution of the mane of one thing for that of another. For instance, the pen (words) is mightier than the sword (forces). 借代(metonymy)是指两种不同事物并不相似,但又密不可分,因而常用其中一种事物名称代替另一种。
1、Several years later, word came that Napoleonyh himself was coming to inspect them...
几年以后,他们听说拿破仑要亲自来视察他们。
“word”在这里代替了“news, information”(消息、信息)
2、Al spoke with his eyes,“yes”.
艾尔用眼睛说,“是的”。
“说”应该是嘴的功能,这里实际上是用眼神表达了“说话的意思”。
9) Synecdoche (提喻) It is involves the substitution of the part for the whole, or the whole for the part. For instance, they say there's bread and work for all. She was dressed in silks.
10) Antonomasia (换喻)It has also to do with substitution. It is not often mentioned now, though it is still in frequent use. For example, Solomon for a wise man. Daniel for a wise and fair judge. Judas for a traitor.
11) Pun: (双关语) It is a play on words, or rather a play on the form and meaning of words. For instance, a cannon-ball took off his legs, so he laid down his arms. (Here "arms" has two meanings: a person's body; weapons carried by a soldier.)/ Napoleon was astonished.”Either you are mad, or I am,”he declared. “Both,sir!”cried the Swede proudly. “Both”一词一语双关,既指拿破仑和这位士兵都是疯子,又指这位战士参加过拿破仑指挥的两次战役
12) Syllepsis: (一语双叙) It has two connotations.
In the first case, it is a figure by which a word, or a particular form or inflection of a word, refers to two or more words in the same sentence, while properly applying to or agreeing with only on of them in grammar or syntax(句法). For example, He addressed you and me, and desired us to follow him. (Here us is used to refer to you and me.)
In the second case, it a word may refer to two or more words in the same sentence. For example, while he was fighting , and losing limb and mind, and dying, others stayed behind to pursue ecation and career. (Here to losing one's limbs in literal; to lose one's mind is figurative, and means to go mad.)
13) Zeugma: (轭式搭配) It is a single word which is made to modify or to govern two or more words in the same sentence, wither properly applying in sense to only one of them, or applying to them in different senses. For example, The sun shall not burn you by day, nor the moon by night. (Here noon is not strong enough to burn)
14) Irony: (反语) It is a figure of speech that achieves emphasis by saying the opposite of what is meant, the intended meaning of the words being the opposite of their usual sense. For instance, we are lucky, what you said makes me feel real good.
15) Innuendo: (暗讽) It is a mild form of irony, hinting in a rather roundabout (曲折)way at something disparaging(不一致) or uncomplimentary(不赞美) to the person or subject mentioned. For example, the weatherman said it would be worm. He must take his readings in a bathroom.
16) Sarcasm: (讽刺) It Sarcasm is a strong form of irony. It attacks in a taunting and bitter manner, and its aim is to disparage, ridicule and wound the feelings of the subject attacked. For example, laws are like cobwebs, which may catch small flies, but let wasps break through.
17) Paradox: (似非而是的隽语) It is a figure of speech consisting of a statement or proposition which on the face of it seems self-contradictory, absurd or contrary to established fact or practice, but which on further thinking and study may prove to be true, well-founded, and even to contain a succinct point. For example more haste, less speed.
18) Oxymoron: (矛盾修饰) It is a compressed paradox, formed by the conjoining(结合) of two contrasting, contradictory or incongruous(不协调) terms as in bitter-sweet memories, orderly chaos(混乱) and proud humility(侮辱).
19) Antithesis: (对照) It is the deliberate arrangement of contrasting words or ideas in balanced structural forms to achieve emphasis. For example, speech is silver; silence is golden.
20) Epigram: (警句) It states a simple truth pithily(有利地) and pungently(强烈地). It is usually terse and arouses interest and surprise by its deep insight into certain aspects of human behavior or feeling. For instance, Few, save the poor, feel for the poor.
21) Climax: (渐进) It is derived from the Greek word for "ladder" and implies the progression of thought at a uniform or almost uniform rate of significance or intensity, like the steps of a ladder ascending evenly. For example, I came, I saw, I conquered.
22) Anti-climax or bathos: (突降)It is the opposite of Climax. It involves stating one's thoughts in a descending order of significance or intensity, from strong to weak, from weighty to light or frivolous. For instance, But thousands die, without or this or that, die, and endow(赋予) a college, or a cat.
23) Apostrophe: (顿呼) In this figure of speech, a thing, place, idea or person (dead or absent) is addressed as if present, listening and understanding what is being said. For instance, England! awake! awake! awake!
24) Transferred Epithet: (转类形容词) It is a figure of speech where an epithet (an adjective or descriptive phrase) is transferred from the noun it should rightly modify(修饰) to another to which it does not really apply or belong. For instance, I spent sleepless nights on my project.
25) Alliteration: (头韵) It has to do with the sound rather than the sense of words for effect. It is a device that repeats the same sound at frequent intervals(间隔) and since the sound repeated is usually the initial consonant sound, it is also called "front rhyme". For instance, the fair breeze blew, the white foam flew, the furrow followed free. 头韵法(alliteration)在文句中有两个以上连结在一起的词或词组,其开头的音节有同样的字母或声音,以增强语言的节奏感。 How and why he had come to Princeton, New Jersey is a story of struggle, success, and sadness.
26) Onomatopoeia: (拟声) It is a device that uses words which imitate the sounds made by an object (animate or inanimate), or which are associated with or suggestive(提示的) of some action or movement. Eg: On the root of the school house some pigeons were softly cooing./ She brought me into touch with everything that could be reached or felt——sunlight, the rustling of silk, the noises of insects, the creaking of a door, the voice of a loved one.
『伍』 英语修辞Irony
反语么,就是用反面来表示正解,一般用来讽刺。这句话说她对家庭的感情可真版是不一权般!后面却叙述了她第三个丈夫死了之后她因为悲伤弄了头金发。
问题就在这里,据我们所知,老外总觉得金发女郎相当轻浮肤浅并且不忠。这就可以看书来了,这话的潜台词就是,她对家真是不忠诚,第三个老公都死掉了不悲伤就算了!竟然还把头发染成了金色出去勾引别人!
希望能帮到你哈~~*^_^*
『陆』 英语修辞的分类
保留原文
即: to find an equivalent image. 如:Ani began pounding and yelling to be let out as the car screeched from the parking lot. But rock music blaring from the radio speakers drowned him out. 试译:当汽车从停车场急速驶过时,Ani开始猛烈敲打和大声呼喊,但是从车内喇叭发出的摇滚音乐淹没了他发出的声音。再如:The policemen who patrolled the big city slum area that summer were sitting on a volcano. 那年夏天,在城市大贫民区巡逻的警察如同坐在火山口上。
实行翻译“补偿原则”
所谓以补偿方法译比喻,就是在寻找对等形象无门的情况下,使用变通的方法,尽可能地对译文中比喻形象的流失作某些补偿,以求得译文与原文大致相等的可读性。如:Cavorting and diving at breathtaking speeds,the beautiful birds (指鹰) mirrored each other in flight. A. 在空中翻飞嬉戏,时作闪电式俯冲,矫健的鹰双双携游于碧空。B. 在空中翻飞嬉戏,时作闪电式俯冲,矫健的鹰比翼齐飞,形影相随。再如:But after six years of a stormy marriage,Cewe decided to end it. She didn’t want her son to grow up thinking that kind of relationship was normal. 试译:六载婚姻生活,风雨交加,Cewe决定结束这种婚姻。她不愿让她儿子在这样的环境里长大成人,并误以为这样的关系是正常的。又如:Rudy knew they had severed the wrong rope and that it was the thick tow line that trapped him. “Try cutting the other rope!” said Rudy,his hopes,and his grip,eroding. 试译:Rudy发现他们割错了绳子,是那根粗的牵引绳缠住了他。“把另一根绳子割断!”Rudy说。此刻,他的希望,他的握力,似油将尽、灯将灭。再如:The following week was family conference,something I dreaded. This was the day the dirty laundry got hung out to air in a private session between parent,child and counselor. 试译:下周将开家长会,这正是我害怕的。在这一天,家长、孩子和辅导员将开私下的碰头会,列数孩子做的坏事。再如:The operation may not succeed; it’s a gamble whether he lives or dies. 手术不一定成功,能否保住他的生命没有把握。
『柒』 英语修辞手法
1. 明喻2. 暗喻
3. 借喻
4. 提喻
5. 通感6.拟人7. 夸张8.排比9. 委婉10.比方
『捌』 英语有什么修辞手法
英语修辞手法分别如下:
1.Simile 明喻
明喻是将具有共性的不同事物作对比。这种共性存在于人们的心里,而不是事物的自然属性。
标志词常用 like, as, seem, as if, as though, similar to, such as等。
例如:
1>.He was like a cock who thought the sun had risen to hear him crow。
2>.I wandered lonely as a cloud。
3>.Einstein only had a blanket on, as if he had just walked out of a fairy tale。
2.Metaphor 隐喻,暗喻
隐喻是简缩了的明喻,是将某一事物的名称用于另一事物,通过比较形成。
例如:
1>.Hope is a good breakfast, but it is a bad supper。
2>.Some books are to be tasted, others swallowed, and some few to be chewed and digested。
3.Metonymy 借喻,转喻
借喻不直接说出所要说的事物,而使用另一个与之相关的事物名称。
I。以容器代替内容,例如:
1>.The kettle boils. 水开了。
2>.The room sat silent. 全屋人安静地坐着。
II。以资料。工具代替事物的名称,例如:
Lend me your ears, please. 请听我说。
III。以作者代替作品,例如:
a complete Shakespeare 莎士比亚全集
VI。以具体事物代替抽象概念,例如:
I had the muscle, and they made money out of it. 我有力气,他们就用我的力气赚钱。
4.Synecdoche 提喻
提喻用部分代替全体,或用全体代替部分,或特殊代替一般。
例如:
1>.There are about 100 hands working in his factory。(部分代整体)
他的厂里约有100名工人。
2>.He is the Newton of this century。(特殊代一般)
他是本世纪的牛顿。
3>.The fox goes very well with your cap。(整体代部分)
这狐皮围脖与你的帽子很相配。
5.Synaesthesia 通感,联觉,移觉
这种修辞法是以视。听.触。嗅.味等感觉直接描写事物。通感就是把不同感官的感觉沟通起来,借联想引起感觉转移,“以感觉写感觉”。
通感技巧的运用,能突破语言的局限,丰富表情达意的审美情趣,起到增强文采的艺术效果。比如:欣赏建筑的重复与变化的样式会联想到音乐的重复与变化的节奏;闻到酸的东西会联想到尖锐的物体;听到飘渺轻柔的音乐会联想到薄薄的半透明的纱子;又比如朱自清《荷塘月色》里的“
微风过处送来缕缕清香,仿佛远处高楼上渺茫的歌声似的”。
例如:
1>.The birds sat upon a tree and poured forth their lily like voice。(用视觉形容听觉,鸟落在树上,由它发出的声音联想到百合花)
鸟儿落在树上,倾泻出百合花似的声音。
2>.Taste the music of Mozart。(用嗅觉形容听觉)
品尝Mozart的音乐。
6.Personification 拟人
拟人是把生命赋予无生命的事物。
例如:
1>.The night gently lays her hand at our fevered heads。(把夜拟人化)
2>.I was very happy and could hear the birds singing in the woods。(把鸟拟人化)
7.Hyperbole 夸张
夸张是以言过其实的说法表达强调的目的。它可以加强语势,增加表达效果。.
例如:
1>.I beg a thousand pardons。
2>.Love you. You are the whole world to me, and the moon and the stars。
3>.When she heard the bad news, a river of tears poured out。
8.Parallelism 排比, 平行
这种修辞法是把两个或两个以上的结构大体相同或相似,意思相关,语气一致的短语。句子排列成串,形成一个整体。
例如:
1>.No one can be perfectly free till all are free; no one can be
perfectly moral till all are moral; no one can be perfectly happy till
all are happy。
2>.In the days when all these things are to be answered for, I
summon you and yours, to the last of your bad race, to answer for them.
In the days when all these things are to be answered for, I summon your
brother, the worst of your bad race, to answer for them separately。
9.Euphemism 委婉,婉辞法
婉辞法指用委婉,文雅的方法表达粗恶,避讳的话。
例如:
1>.He is out visiting the necessary. 他出去方便一下。
2>.His relation with his wife has not been fortunate. 他与妻子关系不融洽。
3>.Deng Xiaoping passed away in 1997. (去世)
10.Allegory 讽喻,比方(原意“寓言”)
建立在假借过去或别处的事例与对象之上,传达暗示,影射或者讥讽现世各种现象的含义。这是一种源于希腊文的修辞法,意为"换个方式的说法"。它是一种形象的描述,具有双重性,表层含义与真正意味的是两回事。
例如:
1>.Make the hay while the sun shines。
表层含义:趁着出太阳的时候晒草
真正意味:趁热打铁
2>.It's time to turn plough into sword。
表层含义:是时候把犁变成剑
11.Irony 反语
反语指用相反意义的词来表达意思的作文方式。如在指责过失。错误时,用赞同过失的说法,而在表扬时,则近乎责难的说法。
例如:
1>.It would be a fine thing indeed not knowing what time it was in the morning。
早上没有时间观念还真是一件好事啊(真实含义是应该明确早上的时间观念)
2>"Of course, you only carry large notes, no small change on you. "the waiter said to the beggar。
12.Pun 双关
双关就是用一个词在句子中的双重含义,借题发挥。作出多种解释,旁敲侧击,从而达到意想不到的幽默。滑稽效果。它主要以相似的词形。词意和谐音的方式出现。
例如:
1>.She is too low for a high praise, too brown for a fair praise and too little for a great praise。
2>.An ambassador is an honest man who lies abroad for the good of his country。
3>.If we don't hang together, we shall hang separately。
『玖』 英语中的修辞手法
1.Simile 明喻
明喻是将具有共性的不同事物作对比.这种共性存在于人们的心里,而不是事物的自然属性.
标志词常用 like, as, seem, as if, as though, similar to, such as等.
例如:
1>.He was like a cock who thought the sun had risen to hear him crow.
2>.I wandered lonely as a cloud.
3>.Einstein only had a blanket on, as if he had just walked out of a fairy tale.
2.Metaphor 隐喻,暗喻
隐喻是简缩了的明喻,是将某一事物的名称用于另一事物,通过比较形成.
例如:
1>.Hope is a good breakfast, but it is a bad supper.
2>.Some books are to be tasted, others swallowed, and some few to be chewed and digested.
3.Metonymy 借喻,转喻
借喻不直接说出所要说的事物,而使用另一个与之相关的事物名称.
I.以容器代替内容,例如:
1>.The kettle boils. 水开了.
2>.The room sat silent. 全屋人安静地坐着.
II.以资料.工具代替事物的名称,例如:
Lend me your ears, please. 请听我说.
III.以作者代替作品,例如:
a complete Shakespeare 莎士比亚全集
VI.以具体事物代替抽象概念,例如:
I had the muscle, and they made money out of it. 我有力气,他们就用我的力气赚钱.
4.Synecdoche 提喻
提喻用部分代替全体,或用全体代替部分,或特殊代替一般.
例如:
1>.There are about 100 hands working in his factory.(部分代整体)
他的厂里约有100名工人.
2>.He is the Newton of this century.(特殊代一般)
他是本世纪的牛顿.
3>.The fox goes very well with your cap.(整体代部分)
这狐皮围脖与你的帽子很相配.
5.Synaesthesia 通感,联觉,移觉
这种修辞法是以视.听.触.嗅.味等感觉直接描写事物.通感就是把不同感官的感觉沟通起来,借联想引起感觉转移,“以感觉写感觉”。
通感技巧的运用,能突破语言的局限,丰富表情达意的审美情趣,起到增强文采的艺术效果。比如:欣赏建筑的重复与变化的样式会联想到音乐的重复与变化的节奏;闻到酸的东西会联想到尖锐的物体;听到飘渺轻柔的音乐会联想到薄薄的半透明的纱子;又比如朱自清《荷塘月色》里的“ 微风过处送来缕缕清香,仿佛远处高楼上渺茫的歌声似的”。
例如:
1>.The birds sat upon a tree and poured forth their lily like voice.(用视觉形容听觉,鸟落在树上,由它发出的声音联想到百合花)
鸟儿落在树上,倾泻出百合花似的声音.
2>.Taste the music of Mozart.(用嗅觉形容听觉)
品尝Mozart的音乐.
6.Personification 拟人
拟人是把生命赋予无生命的事物.
例如:
1>.The night gently lays her hand at our fevered heads.(把夜拟人化)
2>.I was very happy and could hear the birds singing in the woods.(把鸟拟人化)
7.Hyperbole 夸张
夸张是以言过其实的说法表达强调的目的.它可以加强语势,增加表达效果..
例如:
1>.I beg a thousand pardons.
2>.Love you. You are the whole world to me, and the moon and the stars.
3>.When she heard the bad news, a river of tears poured out.
8.Parallelism 排比, 平行
这种修辞法是把两个或两个以上的结构大体相同或相似,意思相关,语气一致的短语.句子排列成串,形成一个整体.
例如:
1>.No one can be perfectly free till all are free; no one can be perfectly moral till all are moral; no one can be perfectly happy till all are happy.
2>.In the days when all these things are to be answered for, I summon you and yours, to the last of your bad race, to answer for them. In the days when all these things are to be answered for, I summon your brother, the worst of your bad race, to answer for them separately.
9.Euphemism 委婉,婉辞法
婉辞法指用委婉,文雅的方法表达粗恶,避讳的话.
例如:
1>.He is out visiting the necessary. 他出去方便一下.
2>.His relation with his wife has not been fortunate. 他与妻子关系不融洽.
3>.Deng Xiaoping passed away in 1997. (去世)
10.Allegory 讽喻,比方(原意“寓言”)
建立在假借过去或别处的事例与对象之上,传达暗示,影射或者讥讽现世各种现象的含义。
英文解释:an expressive style that uses fictional characters and events to describe some subject by suggestive resemblances; an extended metaphor 摘自英语专业《大学英语教程》一书
这是一种源于希腊文的修辞法,意为"换个方式的说法".它是一种形象的描述,具有双重性,表层含义与真正意味的是两回事.
例如:
1>.Make the hay while the sun shines.
表层含义:趁着出太阳的时候晒草
真正意味:趁热打铁
2>.It's time to turn plough into sword.
表层含义:是时候把犁变成剑
11.Irony 反语
反语指用相反意义的词来表达意思的作文方式.如在指责过失.错误时,用赞同过失的说法,而在表扬时,则近乎责难的说法.
例如:
1>.It would be a fine thing indeed not knowing what time it was in the morning.
早上没有时间观念还真是一件好事啊(真实含义是应该明确早上的时间观念)
2>"Of course, you only carry large notes, no small change on you. "the waiter said to the beggar.
12.Pun 双关
双关就是用一个词在句子中的双重含义,借题发挥.作出多种解释,旁敲侧击,从而达到意想不到的幽默.滑稽效果.它主要以相似的词形.词意和谐音的方式出现.
例如:
1>.She is too low for a high praise, too brown for a fair praise and too little for a greatpraise.
2>.An ambassador is an honest man who lies abroad for the good of his country.
3>.If we don't hang together, we shall hang separately.
13.Parody 仿拟
这是一种模仿名言.警句.谚语,改动其中部分词语,从而使其产生新意的修辞.
例如:
1>.Rome was not built in a day, nor in a year.
2>.A friend in need is a friend to be avoided.
3>.If you give a girl an inch nowadays she will make address of it.
14.Rhetorical question 修辞疑问(反问)
它与疑问句的不同在于它并不以得到答复为目的,而是以疑问为手段,取得修辞上的效果,其特点是:肯定问句表示强烈否定,而否定问句表示强烈的肯定.它的答案往往是不言而喻的.
例如:
1>.How was it possible to walk for an hour through the woods and see nothing worth of note?
2>.Shall we allow those untruths to go unanswered?
15.Antithesis 对照,对比,对偶
这种修辞指将意义完全相反的语句排在一起对比的一种修辞方法.
例如:
1>.Not that I loved Caeser less but that I loved Romemore.
2>.You are staying; I am going.
3>.Give me liberty, or give me death.
16.Paradox 隽语
这是一种貌似矛盾,但包含一定哲理的意味深长的说法,是一种矛盾修辞法..
例如:
1>.More haste, less speed.欲速则不达
2>.The child is the father to the man.(童年时代可决定人之未来)三岁看大,四岁看老。
17.Oxymoron 反意法,逆喻
这也是一种矛盾修辞法,用两种不相调和的特征形容一个事物,以不协调的搭配使读者领悟句中微妙的含义.
例如:
1>.No light, but rather darkness visible.没有光亮,黑暗却清晰可见
2>.The state of this house is cheerless welcome.
18.Climax 渐进法,层进法
这种修辞是将一系列词语按照意念的大小.轻重.深浅.高低等逐层渐进,最后达到顶点.可以增强语势,逐渐加深读者印象.
例如:
1>.I am sorry, I am so sorry, I am so extremely sorry.
2>.Eye had not seen nor ear heard, and nothing had touched his heart of stone.
19.Anticlimax 渐降法
与climax相反的一种修辞法,将一系列词语由大到小,由强到弱地排列.
例如:
1>.On his breast he wears his decorations, at his side a sword, on his feet a pair of boots.
2>.The ties of a soldier are to protect his country and peel potatoes.