莎士比亚的英语阅读理解

⑴ 莎士比亚 暴风雨英文原版 读起来难吗

我参加过《暴风雨》的纯英文演出，演的男主角（Prospero），我可以绝对告诉你，无论版是美国人还是英国人都无权法在没有接触过莎士比亚或者伊丽莎白年代的旧英文的情况下看懂。。。尤其是《暴风雨》，《暴风雨》是莎士比亚最后的一部戏剧作品，无论从戏剧深度还是他对文字把握的熟练程度来讲都是无与伦比的。如果你想读莎士比亚，我建议你先阅读并理解一些莎士比亚写的《十四行诗》，然后再读些莎士比亚写的相对比较简单的作品比如他的第一部出版戏《错误的喜剧》(Comedy Of Errors)和《As You Like It》。莎士比亚最基础的格律是Iambic Pentenmeter，基本上大部分的台词和十四行诗都是尊崇这个格律的，所以配合着这些格律他的作品旧更难理解（但是一旦理解了就会觉得文字间的关系简直是精妙无比。对演员来说，演莎士比亚的作品是测量演员演技的标尺呢）

⑵ 英语翻译

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⑶ 用英语说一些书籍的名字

1、A Farewell to Arms


《永别了,武器》(海明威,美国)

《永别了，武器》是美国小说家欧内斯特·海明威创作的半自传长篇小说，是其早期代表作，首次出版于1929年9月27日。该作品讲述美国青年弗瑞德里克·亨利在第一次世界大战后期志愿参加红十字会驾驶救护车，在意大利北部战线抢救伤员中发生的故事。作品名称取自16世纪戏剧家乔治的诗。

2、For Whom the Bell Tolls


《丧钟为谁而鸣》(海明威,美国)


一九三六年初秋到一九三九年春的西班牙内战早已成为历史陈迹，今天已不大为人们所提及。然而它实际上是第二次世界大战欧洲战线的序幕，是全世界进步力量和德意法西斯政权之间的第一次较量。由于种种复杂的历史原因，进步力量在这场斗争中失败了。以文学形式来反映这一页历史的作品为数不多，而今天尚被人推崇、文学阅读的恐怕就只有这一部《丧钟为谁而鸣》。

3、Gone with the Wind


《乱世佳人》/《飘》

《飘》是美国女作家玛格丽特·米切尔（1900—1949）十年磨一剑的作品，也是惟一的作品。《飘》称得上有史以来最经典的爱情巨著之一 。小说以美国南北战争为背景，主线是好强、任性的庄园主小姐斯佳丽纠缠在几个男人之间的爱恨情仇，与之相伴的还有社会、历史的重大变迁，旧日熟悉的一切的一去不返……《飘》既是一首人类爱情的绝唱，又是一幅反映社会政治、经济、道德诸多方面巨大而深刻变化的宏大历史画卷。

4、Anna Karenina


《安娜·卡列尼娜》(列夫·托尔斯泰,俄国)

《安娜·卡列尼娜》是俄国著名作家列夫·托尔斯泰的代表作品。本书通过女主人公安娜的追求爱情悲剧，和列文在农村面临危机而进行的改革与探索这两条线索，描绘了俄国从莫斯科到外省乡村广阔而丰富多彩的图景，先后描写了150多个人物，是一部社会网络全书式的作品。

5、Great Expectations

《远大前程》(查尔斯·狄更斯,英国)


《远大前程》又译《孤星血泪》，是英国作家查尔斯·狄更斯晚年写成的长篇小说。成书于1860年至1861年之间，该小说自1860年12月到1861年8月连载于作者制作的周刊《一年四季》。故事背景为1812年耶诞节前夕至1840年冬天，主角孤儿皮普（Pip）以自传式手法，叙述从7岁开始的三个人生阶段。

6、Gulliver's Travels


《格利佛游记》(乔纳森·斯威福特,英国)

《格列佛游记》是英国作家乔纳森·斯威夫特（又译为江奈生·斯威夫特）创作的一部长篇游记体讽刺小说，首次出版于1726年。

作品以里梅尔·格列佛（又译为莱缪尔·格列佛）船长的口气叙述周游四国的经历。通过格列佛在利立浦特、布罗卜丁奈格、飞岛国、慧骃国的奇遇，反映了18世纪前半期英国统治阶级的腐败和罪恶。

⑷ 求莎士比亚的威尼斯商人英文故事简介和读后感（做英文阅读报告PPT用的），大概是8页PPT的篇幅

【英文简介】THE BRIEF INTRODUCTION OF THE MERCHANT OF VENICE
The Merchant of Venice was considered Shakespeare’s most controversial play and one of the most wonderful masterpieces of describing misers in the literature. The merchant of Venice was written by Shakespeare at the end few years of the 1590s. During these years, British social contradictions graally sharpen up which result in his deep think of his humanistic and British reality, at that time, the oppression that Jews were suffering in British was more serious than in any other countries in Europe. Jews at that time lived a difficult life. They were suppressed seriously; therefore they have to make living by lending out money at an exorbitant rate of interest. We all know Shylock is a typical affronted Jew in this play. He was a scrivener in this play. At that time, a young man named Bassano who heard about news that Portia, a rich man’s daughter, she got three boxes: a gold box, a silver box, and a lead one. If somebody chosen the box contained her portrait, then she would marry the man. Therefore, he determined to win Portia. However, he needed three thousand cats to reach his goal. For lack of money, he had to turn to his good friend, a rich merchant Antonio for help. Unfortunately, at this time, Antonio’s money was put into the business and he could not withdraw it right now. To help his best friend, he was forced to borrow money from a wealthy Jewish scrivener as well as usury. Although he promised to lend him the money. He put forward a strange request that if Antonio could not repay the debt on time, he could cut a pound of flesh from Antonio’s body. And Antonio signed the contact. Fortunately, in the end, shylock was defeated by Portia’s wit and intelligence.
【读后感】Generally speaking, shylock always left a cruel, greedy and gainful money-lender image to the readers of The Merchant of Venice. He considered treasure as the most important things in his life even more important than his daughter. When his daughter ran away with a large amount of jewels which were stolen from his, he can not help shouting and curing his daughter to die immediately. How merciless the father is! He was also a hypocritical and cunning businessman. We can seen from this play, when he came on the stage in the first time, he just keep swearing to the god that if he got some treasure, he must do something good and help the poor leave the poverty. However, when he became a wealthy man, he do the exactly the opposite things such as exploit people, being rude to the poor, and cheating.
On the one hand, he is a typical heartless miser in keeping money. On the other hand, he is also a pitiful victim at that time. He is an affronted Jew who suffered much in the hands of the Christians. At that time, shylock dared to allocate assert in case his assert being expropriated and he had to make living by lending out money at an exorbitant rate of interest. In some degree, he was also a brave resistant who was suffering from the pressure of racial discrimination. He dared to require justice and to revenge against his enemies. His perseverance and strong mind are also of irresistible charm to the audience in our modern society. Therefore, we should not only just criticize shylock as a bloody capitalism, but also an oppressor who was fight against the unfair treatment in different races and nations.

⑸ 阅读莎士比亚作品集原版要注意什么

莎士比亚时代的英语应该属于早期现代英语吧，因此只有用词和拼写方面和当代内英语有所不同，你只需要容找一本有注释的版本来读就可以了。但我个人的建议你不必从莎士比亚开始读，你需要的是一本文学史之类的书，或者诗歌也可以。相信我，英语诗歌比英语剧本或小说都容易读。
为什么说文学史或者诗歌容易入门呢？从文学史来说，这样的书可以让你对英语文学有一个大概的把握，而且往往会推荐一些比较重要的作家让读者仔细研读等等；而诗歌的特点则是短得好，而且语言精炼优美（大多都是如此）。
最后，如何“读懂”呢？第一个层面当然是读懂语言，如果你是有心人而且英语过得去，用一本有注释的书就可以达到这个目的了；其次就是读懂语言之上的东西，比如要看出作者的写作背景和目的等等，需要仔细去体会；最后就是读后的感想，一定要写出来。作为一个非母语学习者，我认为还是非常重要的。

⑹ 英语 选修8 阅读 翻译

莎士比亚来比其他的作家更源喜欢充分利用英语语言资源。我们大多数人通常使用我们英语单词中常用的5000单词量；莎士比亚在他的著作中使用25000单词量。一个外国人可能没有更好的办法来鉴赏他的丰富的充满变化的英语语言，除非提前研究莎士比亚使用的充满变化的语言风格。这样的研究还是非常有用的（当然不推荐给初学者研究）甚至某些方面英语用法和许多单词的含义在莎士比亚的用法种变化了

⑺ 学英语读莎士比亚那几部作品最能提高英语水平

基本抄没有一部能提高英袭语水平。
如一楼大人说的，莎士比亚写作用的古英语已经和我们现在的英语相差太远，阅读难度大而且对我们现在学外语很难有什么效果。特别是单词和词组上，很多单词和词组都是已经不用的死语言单位，而400年来句法的变化更使古英语和现代英语拉开了距离。
另外莎翁的剧作一般是以压韵诗句创作的，而我们现在流行的是美国口语化的英语，这是一个极大的不同；同时诗歌有着其特殊的句法和语法规则，其在现实里的应用性很低，有的句子如果你背下来应用进考试作文中，考官甚至都会直接判为错句。
要学习现代英语当然还是现代的英语报纸杂志等比较合适，如果找名人作品来当成切入点，马克吐温的散文、傲慢与偏见这样不长不短的“记叙文”等19世纪的东西还算可以，4及左右水平想继续提高的可以看傲慢与偏见，6及以上的可以一边查字典一边读马克土温的散文。

⑻ 莎士比亚十四行诗英文原版！！跪求谢了!

莎士比亚十四行诗原文
SONNET #1
by: William Shakespeare
FROM fairest creatures we desire increase,
That thereby beauty's rose might never die,
But as the riper should by time decease,
His tender heir might bear his memory;
But thou, contracted to thine own bright eyes,
Feed'st thy light's flame with self-substantial fuel,
Making a famine where abundance lies,
Thyself thy foe, to thy sweet self too cruel.
Thout that are now the world's fresh ornament
And only herald to the gaudy spring,
Within thine own bud buriest thy content
And, tender churl, mak'st waste in niggarding.
Pity the world, or else this glutton be,
To eat the world's e, by the grave and thee.

SONNET #2
by: William Shakespeare
WHEN forty winters shall besiege thy brow
And dig deep trenches in thy beauty's field,
Thy youth's proud livery, so gazed on now,
Will be a tottered weed of small worth held:
Then being asked where all thy beauty lies,
Where all the treasure of thy lusty days,
To say within thine own deep-sunken eyes
Were an all-eating shame and thriftless praise.
How much more prasie deserved thy beauty's use
If thou couldst answer, 'This fair child of mine
Shall sum my count and make my old excuse,'
Proving his beauty by succession thine.
This were to be new made when thou art old
And see thy blood warm when thou feel'st cold.

SONNET #3
by: William Shakespeare
LOOK in thy glass, and tell the face thou viewest
Now is the time that face should form another,
Whose fresh repair if now thou renewest,
Thou dost beguile the world, unbless some mother.
For where is she so fair whose uneared womb
Disdains the tillage of thy husbandry?
Or who is he so fond will be the tomb
Of his self-love, to stop posterity?
Thou art thy mother's glass, and she in thee
Calls back the lovely April of her prime;
So thou through windows of thine age shalt see,
Despite of wrinkles, this thy golden time.
But if thou live rememb'red not to be,
Die single, and thine image dies with thee.

SONNET #4
by: William Shakespeare
UNTHRIFTY loveliness, why dost thou spend
Upon thyself they beauty's legacy?
Nature's bequest gives nothing but doth lend,
And, being frank, she lends to those are free.
Then, beateous niggard, why dost thou abuse
The bounteous largess given thee to give?
Profitless userer, why dost thou use
So great a sum of sums, yet canst not live?
For, having traffic with thyself alone,
Thou of thyself thy sweet self dost deceive:
Then how, when Nature calls thee to be gone,
What acceptable audit canst thou leave?
Thy unused beauty must be tombed with thee,
Which, usèd, lives th' executor to be.

SONNET #5

by: William Shakespeare
THOSE hours that with gentle work did frame
The lovely gaze where every eye doth dwell
Will play the tyrants to the very same
And that unfair which fairly doth excel;
For never-resting time leads summer on
To hideous winter and confounds him there,
Sap checked with frost and lusty leaves quite gone,
Beauty o'ersnowed and bareness everywhere.
Then, were not summer's distillation left
A liquid prisoner pent in walls of glass,
Beauty's effect with beauty were bereft,
Nor it nor no remembrance what it was:
But flowers distilled, though they with winter meet,
Leese but there snow; their substance still lives sweet.

⑼ 先读哪本莎士比亚的著作适合我们这些英语刚入门的

《仲夏夜之梦》
人物关系不是很杂乱
应该是容易些
里面的词语也是回很多是口语化的
通俗易答懂
人物也不是很多，重点也只是仙王跟仙后，4个青年
所以是看莎士比亚的著作入门之作
如果是《威尼斯商人》的话
你应该先看中文版的再去看英语版的
这样 才容易点