❶ 求一篇人物传记，英文的
上google里面搜索Edward Hopper
维基网络（Wikipedia）里就有介绍
或
"Edward Hopper, the best-known American realist of the inter-war period, once said: 'The man's the work. Something doesn't come out of nothing.' This offers a clue to interpreting the work of an artist who was not only intensely private, but who made solitude and introspection important themes in his painting.
"He was born in the small Hudson River town of Nyack, New York State, on 22 July 1882. His family were solidly middle-class: his father owned a dry goods store where the young Hopper sometimes worked after school. By 1899 he had already decided to become an artist, but his parents persuaded him to begin by studying commercial illustration because this seemed to offer a more secure future. He first attended the New York School of Illustrating (more obscure than its title suggests), then in 1900 transferred to the New York School of Art. Here the leading figure and chief instructor was William Merritt Chase (1849-1916), an elegant imitator of Sargent. He also worked under Robert Henri (1869-1929), one of the fathers of American Realism - a man whom he later described as 'the most influential teacher I had', adding 'men didn't get much from Chase; there were mostly women in the class.' Hopper was a slow developer - he remained at the School of Art for seven years, latterly undertaking some teaching work himself. However, like the majority of the young American artists of the time, he longed to study in France. With his parents' help he finally left for Paris in October 1906. This was an exciting moment in the history of the Modern movement, but Hopper was to claim that its effect on him was minimal:
Whom did I meet? Nobody. I'd heard of Gertrude Stein, but I don't remember having heard of Picasso at all. I used to go to the cafés at night and sit and watch. I went to the theatre a little. Paris had no great or immediate impact on me.
"In addition to spending some months in Paris, he visited London, Amsterdam, Berlin and Brussels. The picture that seems to have impressed him most was Rembrandt's The Night Watch (in the Rijksmuseum, Amsterdam). Hopper was able to repeat his trip to Europe in 1909 and 1910. On the second occasion he visited Spain as well as France. After this, though he was to remain a restless traveller, he never set foot in Europe again. Yet its influence was to remain with him for a long time: he was well read in French literature, and could quote Verlaine in the original, as his future wife discovered (he was surprised when she finished the quotation for him). He said later: '[America] seemed awfully crude and raw when I got back. It took me ten years to get over Europe.' For some time his painting was full of reminiscences of what he had seen abroad. This tendency culminates in Soir Bleu of 1914, a recollection of the Mi-Caréme carnival in Paris, and one of the largest pictures Hopper ever painted. It failed to attract any attention when he showed it in a mixed exhibition in the following year, and it was this failure which threw him back to working on the American subjects with which his reputation is now associated. In 1913 Hopper made his first sale - a picture exhibited at the Armory Show in New York which brought together American artists and all the leading European modernists. In 1920 he had his first solo exhibition, at the Whitney Studio Club, but on this occasion none of the paintings sold. He was already thirty-seven and beginning to doubt if he would achieve any success as an artist - he was still forced to earn a living as a commercial illustrator. One way round this dilemma was to make prints, for which at that time there was a rising new market. These sold more readily than his paintings, and Hopper then moved to making watercolours, which sold more readily still.
"Hopper had settled in Greenwich Village, which was to be his base for the rest of his life, and in 1923 he renewed his friendship with a neighbour, Jo Nivison, whom he had known when they were fellow students under Chase and Henri. She was now forty; Hopper was forty-two. In the following year they married. Their long and complex relationship was to be the most important of the artist's life. Fiercely loyal to her husband, Jo felt in many respects oppressed by him. In particular, she felt that he did nothing to encourage her own development as a painter, but on the contrary did everything to frustrate it. 'Ed,' she confided to her diary, 'is the very centre of my universe... If I'm on the point of being very happy, he sees to it that I'm not.' The couple often quarrelled fiercely (an early subject of contention was Jo's devotion to her cat Arthur, whom Hopper regarded as a rival for her attention). Sometimes their rows exploded into physical violence, and on one occasion, just before a trip to Mexico, Jo bit Hopper's hand to the bone. On the other hand, her presence was essential to his work, sometimes literally so, since she now modelled for all the female figures in his paintings, and was adept at enacting the various roles he required.
"From the time of his marriage, Hopper's professional fortunes changed. His second solo show, at the Rehn Gallery in New York in 1924, was a sell-out. The following year, he painted what is now generally acknowledged to be his first fully mature picture, The House by the Railroad. With its deliberate, disciplined spareness, this is typical of what he was to create thereafter. His paintings combine apparently incompatible qualities. Modern in their bleakness and simplicity, they are also full of nostalgia for the puritan virtues of the American past - the kind of quirky nineteenth-century architecture Hopper liked to paint, for instance, could not have been more out of fashion than it was in the mid-192OS, when he first began to look at it seriously. Though his compositions are supposedly realist they also make frequent use of covert symbolism. Hopper's paintings have, in this respect, been rather aptly compared to the realist plays of Ibsen, a writer whom he admired.
"One of the themes of The House by the Railroad is the loneliness of travel, and the Hoppers now began to travel widely within the United States, as well as going on trips to Mexico. Their mobility was made possible by the fact that they were now sufficiently prosperous to buy a car. This became another subject of contention between the artist and his wife, since Hopper, not a good driver himself, resisted Jo's wish to learn to drive too. She did not acquire a driving licence until 1936, and even then her husband was extremely reluctant to allow her control of their automobile.
"By this time Hopper, whose career, once it took off, was surprisingly little affected by the Depression, had become extremely well known. In 1929, he was included in the Museum of Modern Art's second exhibition, Paintings by Nineteen Living Americans, and in 1930 The House by the Railroad entered the museum's permanent collection, as a gift from the millionaire collector Stephen Clark. In the same year, the Whitney Museum bought Hopper's Early Sunday Morning, its most expensive purchase up to that time. In 1933 Hopper was given a retrospective exhibition at the Museum of Modern Art. This was followed, in 1950, by a fuller retrospective show at the Whitney.
"Hopper became a pictorial poet who recorded the starkness and vastness of America. Sometimes he expressed aspects of this in traditional guise, as, for example, in his pictures of lighthouses and harsh New England landscapes; sometimes New York was his context, with eloquent cityscapes, often showing deserted streets at night. Some paintings, such as his celebrated image of a gas-station, Gas (1940), even have elements which anticipate Pop Art. Hopper once said: 'To me the most important thing is the sense of going on. You know how beautiful things are when you're travelling.'
"He painted hotels, motels, trains and highways, and also liked to paint the public and semi-public places where people gathered: restaurants, theatres, cinemas and offices. But even in these paintings he stressed the theme of loneliness - his theatres are often semideserted, with a few patrons waiting for the curtain to go up or the performers isolated in the fierce light of the stage. Hopper was a frequent movie-goer, and there is often a cinematic quality in his work. As the years went on, however, he found suitable subjects increasingly difficult to discover, and often felt blocked and unable to paint. His contemporary the painter Charles Burchfield wrote: 'With Hopper the whole fabric of his art seems to be interwoven with his personal character and manner of living.' When the link between the outer world he observed and the inner world of feeling and fantasy broke, Hopper found he was unable to create.
"In particular, the rise of Abstract Expressionism left him marooned artistically, for he disapproved of many aspects of the new art. He died in 1967, isolated if not forgotten, and Jo Hopper died ten months later. His true importance has only been fully realized in the years since his death."
❷ 推荐一些比较简单的英语原版的人物传记，初三左右的水平。小说这些不...
看床头灯系列书，有3000词和5000词的，可以去书店问问。另外，还有迈克乔丹、老虎伍回兹、JK罗琳、斯皮尔伯格答、温弗瑞等人的传记，都特别短，词汇较床头灯更适合初三的学生，内容也很励志，但出版社给忘了。
❸ 一篇英文的人物传记
Name:guanzhong huang
Sex:male
English:Paul Wong
Birthday:1964-3-31
Nationality:China
Region:harbor set
Height:169
Usually introce:83 year, the Beyond constitute, for attending a music game, the Beyond hasn't model at that time, 84 years the PAUL join, Chen Anne left a brigade, 86 years, Liu2 Zhi4 far joined, but left a brigade in 88 years, and 4 people combined to formally model.The 85 years' Beyond's oneself's property openned the first singing performance 《 for forever 》, 86 year, Beyond oneself more the property created 《again see ideal 》the record, Beyond and record company make a contract, 87 year, 1 《wait for forever 》of EP, along with publish for 88 years of the third record 《old day footprint 》, the Beyond starts head for brilliancy.
Beyond this English sound of a character is nearby at"different of".They are different, but not that a first light of day that the Electronica of guitar brought fragile and dispirited Hong Kong music revolution.Work a singer, guitarist in the music band in the yellow Guan, with sound, compose, write words, plait song.
❹ 英语作文居里夫人的人物传记
Marie Curie (1867- 1934) who said, "Madame Curie," Full name: Maria Curie 斯克沃多夫斯 card. French famous Polish scientist, physicist, chemist. November 7, 1867 was born in Warsaw.
In 1903, Pierre and Marie Curie and Henri Becquerel of radioactivity because the study shared the Nobel Prize in Physics in 1911 for his discovery of the elements polonium and radium Nobel Prize for chemistry once again, become the first won two Nobel Award of people. Marie Curie's accomplishments include creating a theory of radioactivity, radioisotope separation technology invention discovered two new elements polonium and radium. Under her guidance, people first radioisotopes used to treat cancer. Due to the long exposure to radioactive substances, Marie Curie on July 3, 1934 e to the death of malignant leukemia.
玛丽·居里（1867-1934年）世称“居里夫人”，全名：玛丽亚·斯克沃多夫斯卡·居里。 法国著名波兰裔科学家、物理学家、化学家。1867年11月7日生于华沙。
1903年，居里夫妇和贝克勒尔由于对放射性的研究而共同获得诺贝尔物理学奖，1911年，因发现元素钋和镭再次获得诺贝尔化学奖，成为历史上第一个两获诺贝尔奖的人。居里夫人的成就包括开创了放射性理论、发明分离放射性同位素技术、发现两种新元素钋和镭。在她的指导下，人们第一次将放射性同位素用于治疗癌症。由于长期接触放射性物质，居里夫人于1934年7月3日因恶性白血病逝世。
❺ 书籍种类有哪些(用英语说) 如: biography——人物传记 science fiction
书籍种类有：
magazine——杂志
textbook、course book、schoolbook——教科书
primer——启蒙书
instruction book——说明书
autobiography——自传
fairy tale book——童话书
fable book——寓言书
dictionary——字典
reference book——参考书
historical novel——历史小说
documentary fiction——纪实小说
realistic novel——现实主义小说
romantic novel——浪漫小说
political novel——政治小说
detective novel——侦探小说
mystery novel——悬疑小说
horror fiction——恐怖小说
network novel——网络小说
encyclopedia——网络全书
Bible——圣经
有关英语学习的资料拓展：
1、坚持每天学习
每天都坚持学英语很重要。但是，也不要太夸张了！每天学习30分钟比一周学习两个小时效果更好。短暂的、定期的练习比起不定期的长时间学习效果更好。每天坚持学习英语的习惯可以使你大脑中储存的英语知识保持在活跃的状态。
在阅读一篇新的文章或观看一个新的视频时，给你自己定下一个语法目标。例如，试着写下你正在学习的一个形式，例如现在完成时。使用荧光笔（或彩色笔）在你学习的文本重点处做上记号。
3、使不同的学习方法
不要只使用一种方法来学习英语。使用不同的方法能够使你大脑（多元智能）中不同的区域发挥作用。例如；如果您在学习新的词汇，可以画一张词语地图，或描绘出一幅图，列出一个清单并进行学习，将这些词语分五次敲出来。所有这些方法作用在一起可以帮助你加强学习。
4、寻找学习搭档
没有什么比得上和几个朋友一起学习了。你们可以一起做练习，一起对话（用英语！）。当你们一起学习英语的时候，可以针对不懂的练习互相帮助。
5、选择你感兴趣的话题
重要的一点就是，选择你喜欢的话题来学习英语。这样可以使你激发动力，因为你是一边学英语，一边学习你感兴趣的话题。
6、利用准备活动来学习英语
就像在你打篮球或做其他运动之前，都会做一些暖身运动一样，你也可以通过一些练习来帮助你做一些学习英语的准备活动。
8、激活词汇
通过思考或简述即将开展的主题，可以激活你的词汇。例如，如果你要学习关于度假的英语话题，你可以花点时间想想上一次的假期、你都做了些什么、喜欢什么等等。在学习特定的英语主题时，这个简单的练习可以帮助你的大脑为学习词汇做好准备。
9、激活语法
在开始学习之前，想一想通用的语法点来激活你的语法。例如，如果你是要学习英语语法中的过去时态，可以停下来想想上周你做了什么。通过激活语法，你可以以简单的方式使自己的大脑回想起关于一般过去时的知识。
10、唱歌
在上课或你开始学习英语之前，可以唱一首英语歌。你要确保歌里的每个词都认识并理解。这种简短有趣的练习可以帮助你的大脑轻松地将精力集中在英语上。轻松地学习英语很重要！唱歌可以帮助激活大脑中创造性的一面，从而使你在练习对话或进行创意写作时能想出更多的例子。
11、写一小段英语文章
如果你是坐在桌前学习英语，从打出一段简单的英文开始吧。你可以写写你的一天都干了什么，你的爱好，你的朋友等等。打字可以帮助激活你大脑中运动的部分，这有助于从生理行为方面促进学习。我还推荐学语法的时候打字，这可以通过动作固化你的记忆。
12、一千个词
英语里有句话说的好：一幅画顶一千个词。试着描绘一张照片或者其他的图片，这样有助于激活你大脑中创造性的一面。你还可以选择一张与你即将学习的主题相关的图片，结合这个方法激活你的词汇。
❻ 书籍种类有哪些(用英语说) 如: biography——人物传记 science fiction
Love
stories
恋爱类
Adventure
探险类
Horror
恐怖类
Detective
stories
侦探类
History
历史类
phylosophy
哲学类
poem
诗歌类
novel
小说类
❼ 求一篇英文人物传记
glass castle(玻璃城堡) soul surfer(灵魂冲浪) 《A diary of a little girl》 安妮日记 by frank Anne Into the wild（荒野生存）
❽ 初二英语作文 许嵩人物传记 60词左右
徐浩什么人。。你他水军呀。。。他和你都是什么东西，，，鄙视你们。。
❾ 初中英语人物传记
Bill Gates is the most important man in software and computer business.Bill Gates was born on October 28,1995.He grew up in Seattle in the United States,His father,William,was a lawyer .His mother,Mary,was a teacher .He wrote his first software at high school.When he was a student at Hatvard University he wanted to start his own company .So he left the university.
In 1975 he began his company Microsoft with his friend ,Paul Allen.After many years of hard work,Bill Gates became the richest person in the world in 1998.Now his company makes software for about 80% of the world,s computers,Bill Gates has become famous all over the world.
❿ 企鹅英语初一 初二 人物传记的文章 原文！
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