A. 《钢琴之恋》旳英语读后感，500字。
the novel is rich in poetry, symbolism and metaphor. it does not fit easily into a definite pattern, being neither a novel of "manners" in the tradition of austen, or a straightforward gothic romance in the style of mrs radcliffe. what charlotte bronte did was to create a work which cleverly blends elements of the two styles, and which remains uniquely independent of them at the same time, since it addresses issues which were at the time rather controversial. the novel is written in the first person, and thus magnifies the central character - the reader enters the world of jane eyre and is transported through her experiences at first hand. this at once makes the work subjective, especially since we know that charlottes brontes own life and experiences were so closely interwoven with the heroine's. as well as this we learn only at the end of the novel that the events are being related to us ten years after the reconciliation with rochester - thus the narrative is retrospective (looking back). cb is clever in blending the narrative so that at times jane seems to be speaking as an alt with alt hindsight , while at others she she is "in the middle" of them, as a child or young woman. the indecision which is a central issue in the book, is heightened by this device. we never know, as readers, whether to be entirely trustful of janes actions and thoughts, because we are never sure wheher she is speaking impulsively or maturely. this intensifies the readers dilemma as to what is "right" and "wrong" in the dramatic relationships which are part of je's life. can we believe what the heroine says, or is she deceiving herself? the novel is primarily a love story and a "romance" where wishes come true but only after trials and suffering. the supernatural has its place, as do dreams, portents and prophesies. the heroine begins poor and lonely and ends up rich and loved; the orphan finds a good family to replace the wicked one; all the basic ingredients of classic romantic fairytale are present. the romantic element is present in two forms in jane eyre; the "family" aspect is dealt with in the gateshead, lowood and moor house episodes, which involve the exchanging of the wicked reed family for the benevolent rivers one; and the love romance is dealt with in the thornfield and ferndean episodes. both aspects are, of course linked and interwoven throughout the novel. there is also a strong element of realism in the novel, which, married to the romantic aspect, enhances the novel's strength.the sense of place is very strong; we are able to experience both exterior and interior settings with startling clarity throughout the story, in a series of vivid deive passages. the central characters are also realistic and their confrontations and sufferings change them in a believable way. even the unlikely is made plausible, with a unique blend of high drama and perceptive low comedy (the attack on mason, for instance) the more fantastic romantic aspects; the coincidences; the secrets; the supernatural occurrences, are balanced by the realism, and this is of course a major strength. the gothic influence cannot be ignored, although cb has refined the technique considerably from the "authentic" gothic of the 1790's. in the original genre, the heroine would typically be abcted and threatened with section, or worse!. there would be a lover - a respectable, well-bred young man - who would endeavor to rescue the heroine and would succeed after many trial. the secer would be a brigand "know that i adore corsairs!" and he would lock the girl up in a remote castle. there was little freedom for middle class women ring the period of the gothic novel, and this was still the case in the time of cb. marriage especially was often a bargain, whereby fortunes were secured by using the female as a pawn. a woman's value largely depended therefore on her sexual purity and she was guarded and secured as a result. men, on the contrary, were potent and free; lovers and mistresses were common. ironically the women who provided their services were social outcasts as a result. in jane eyre we see elements of the gothic romance, in that thornfield hall and rochester are described very much in the brigand/castle style but jane eyre is not abcted by r. on the contrary she chooses to go there of her own free will. and she is clear in her determination to have rochester as a husband. neither is there a gentleman rescuer; st john rivers may look like a greek god, but he is neither kind nor benevolent; driving jane back to ferndean, not rescuing her from it. the trials which the hero is supposed to undergo in a gothic romance are in fact undergone by the heroine in jane eyre. the bandit rochester is only skin-deep. underneath the brooding exterior is a sensitive soul, which a woman frees. in this way we see that cb created rather a daring departure from conventional fiction, although there are still many aspects of the novel which remain true to victorian convention.!
B. 读《钢琴之恋》有感 英文 120字
一个叫托尼的英国小男孩他家很穷，他有五个弟弟妹妹，他是老大，为了帮助父母养家，13岁从学校出来后就到农场里工作，一个以外的机缘他有了一架旧钢琴，他是个天才，一接触钢琴就可以弹美妙的曲子，以后他就偷偷的练琴，小学老师戈登发现了他的音乐才能，无私的帮助他，免费给他上课，他的农场主老板伍德先生也支持他弹琴。这些在好心人的帮助下，托尼参加了镇上的钢琴比赛并获得第一名的成绩！他走近了音乐学院，他成长为一个钢琴家安东尼埃文斯的，并且当他被邀请到英国白金汉宫为女王演奏后成为了安东尼埃文斯爵士。
小男孩托尼在音乐方面的天才使我想起了王安石笔下的天才方仲永，可他两个的经历不同结果就不一样。托尼工作之余刻苦勤奋的练琴、学琴，使自己沉浸在音乐的世界里，最终扬名天下！而仲永却依仗自己的才华被他的父亲带着四处拜访、炫耀、赚钱，“不使学”，结果落了个“泯然众人矣”的下场。天才必须加上自己的刻苦勤奋才能成才！
托尼出身贫寒，小的时候在学校克拉夫人在音乐课上的唱歌、弹琴，对他有一定的影响，再有就是小镇上偶尔有意大利流浪歌手的弹琴、唱歌，让他有点印象，可以说他几乎没有受到什么很好的音乐教育。他对钢琴的爱恋是内心的、是天才的！光靠天才是不等成功、成名的。戈登老师在托尼的生活中就像伯乐一样，发现了他的音乐天才，并帮助他、教育他。伍德一家人也在托尼的钢琴学习上给予了很大的物质、生活上的帮助。
这个故事给我的启示很多：成才需要勤奋！一个人的成功是多方面促成的，只靠个人是不行的，所以我们要乐于帮助别人，“给人玫瑰，手留余香”！
C. 《The piano》钢琴之恋
带着抄有点疑惑的心情，今天终于看了这部十分经典的电影。
其实通过简介，知道内容有点”离奇“，原本想看的是《钢琴教师》却无意点中了这部电影，但现在看来，确实很不错！
看完影片，脑子里不断回放里面那些动人的钢琴曲，里面的音乐确实很能打动人心，即使女主角从头到尾没有说过一句对白，但里面的钢琴曲确实传出了她的心声！没有对白，只有音乐，或许更能引起观众的共鸣，引起无限的遐想!
这部电影对女主角来说，演技方面的考验确实不小，但我个人挺满意的。霍利
D. 求一篇《钢琴之恋》的500词英文读后感
Is having the mood which a little has doubts, today watched this very classical movie finally. Actually through the synopsis, knew that content a little” strange “, what wants to look originally was "Piano Teacher" actually has no intention to hit the mark this movie, but the present looks like, was truly very good! Inside watches the movie, in the brain playbacks these moving piano musics unceasingly, the inside music truly very can move the will of the people, even if the leading lady had not said from beginning to end a dialog, but the inside piano music truly spread her aspiration! Without the dialog, perhaps only then music, can arouse audience's sympathy, causes the infinite daydream! This movie to the leading lady, the performing skill aspect test is not truly small, but I am very satisfied. The Houley Hunt's eye truly will speak! The complete movie, her performance is very steady, the role is very complete! Actually goes into seriously, this role's innermost feelings are very complex, under the tranquil semblance is covering like sea general profound, broad. As for male and female lead between that section “??”Love, please forgive me not to know truly how should describe. All have the piano to start, a key trades a desire, the rare actor wants to result in comes out (to be actually screenwriter), liked depth of the qin leading lady complying unexpectedly. The desire infinite expansion, moved the leading lady finally in the final time, love of the piano started from this. What a pity the high tide partially crosses is too too quickly hurried. Finally, the affection can help, the piano crashes into the sea, all had “newborn”. This is one tranquil and not the tranquil movie, a thought-provoking movie.
带着有点疑惑的心情，今天终于看了这部十分经典的电影。 其实通过简介，知道内容有点”离奇“，原本想看的是《钢琴教师》却无意点中了这部电影，但现在看来，确实很不错！ 看完影片，脑子里不断回放里面那些动人的钢琴曲，里面的音乐确实很能打动人心，即使女主角从头到尾没有说过一句对白，但里面的钢琴曲确实传出了她的心声！没有对白，只有音乐，或许更能引起观众的共鸣，引起无限的遐想! 这部电影对女主角来说，演技方面的考验确实不小，但我个人挺满意的。霍利•亨特的眼睛确实很会说话！全部电影，她的表演很稳，角色很完整！其实深究，这个角色的内心是十分复杂的，平静的外表下掩盖着的如大海一般深邃，广阔。 至于男女主角间那段“？？”的爱情，请原谅我确实不知道该怎样形容。一切有钢琴开始，一个琴键换一个欲望，难得男主角想得出来（其实应该是编剧），爱琴之深的女主角竟然答应了.欲望无限扩大，在最后时刻终于打动了女主角，钢琴之恋由此开始。可惜高潮部分过得太快太匆忙。最后，恋情得以成全，钢琴坠入大海，一切都有了“新生”。 这是一部平静而又不平静的电影，一部令人深思的电影。
E. 牛津书虫《威廉莎士比亚》《钢琴之恋》《格蕾丝 达林》的答案！求完整！
= 。=我也在搜，烦死了。留这破作业。有的话告诉你。你不早点发，偏偏快开学了发= =
F. 钢琴之恋电子书txt全集下载
钢琴之恋 txt全集小说附件已上传到网络网盘，点击免费下载：
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（vol.01）
在一间贵族医院里，传来了两个新生儿的哭喊声，虽然是两个孩子，但哭声却融为了一体，仿佛就是只有一个在哭似的……那种声音足以打破世界的死寂，充满了活气。
“呜呀呜呀”
“恭喜你，太太，是两个女孩。而且是双胞胎哦。你是本年第一位产下双胞胎的产妇，两位孩子将能在本医院内终身免费获得治疗。”一位护士左右手分别捧着一个孩子，走近一位中年妇女的身边，对她说。但她的眼明显在打着眼色。不知道为什么，她在向中年妇女打眼色。
而这位中年妇女，是我的妈妈……我们“碧”氏家族很富有，富可敌国，这间贵族医院也是我们碧家企业旗下的。
几年瞬间过去……我已经五岁了。
在家里的日子可是闷透了，妈妈对我非常的不好。也许是因为那位双胞胎姐姐比我还要高贵、文静吧？
这五年来可真是难熬啊！如果晚一点吃饭，就会挨鸡毛掸子。如果晚一点起床，就会被罚站门口。如果晚一点……………………就会受到一切的折磨。
五年了，我总觉得我妈妈偏爱……
G. 钢琴之恋的txt全集下载地址
钢琴之恋 txt全集小说附件已上传到网络网盘，点击免费下载：
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第二章 惊喜专
“媛媛，晚上陪我去看钢琴比赛属好不好？学生会的会长也参与比赛哦！”甘甜兴致勃勃的道。
丁爱媛想也不想，脱口而出“不好”
“为什么？学生会的会长很帅喔！他可是我们校公认的“白马王子”与“钢琴王子”，家世好，人品好，钢琴弹的一级棒，功课更不用说，去看看嘛！”甘甜努力劝说，好像在推销物品一样。
“我不管他有多好，多厉害，他怎么样可都不关我的事，我不要去要去你自己去看好吗？”她一直在看书，甘甜却一直在旁边“吵”，她看书的兴致此时消失殆尽，干脆把书搁在桌上。
“就是我一个人去很怪呀！所以叫你陪我一起去嘛！去啦去啦！”甘甜苦苦哀求。
“你知道我不想……”丁爱媛本想再次拒绝，可想想一个人去感觉好像真的很孤独，叹口气道“好吧！说好了，下次你不要再叫我。”
甘甜闻言，兴高采烈得道“好。”心里可想着下次，可不一定哦。
丁爱媛其实心里也是很想去，但见晚上有时间想去买书，她可是很喜欢钢琴，小时候她的梦想就是……
H. (书虫)钢琴之恋读后感 中英文对照 200字左右
《钢琴之恋》，以前在学校的时候写过，你自己对着书写其实很简单的，就把内容概括一下，然后再加些自己的想法就好了。
I. 英语《钢琴之恋》读后感
An Analysis of Jane Eyre
The novel is rich in poetry, symbolism and metaphor. It does not fit easily into a definite pattern, being neither a novel of "manners" in the tradition of Austen, or a straightforward Gothic Romance in the style of Mrs Radcliffe. What Charlotte Bronte did was to create a work which cleverly blends elements of the two styles, and which remains uniquely independent of them at the same time, since it addresses issues which were at the time rather controversial.
The novel is written in the first person, and thus magnifies the central character - the reader enters the world of Jane Eyre and is transported through her experiences at first hand. This at once makes the work subjective, especially since we know that Charlottes Brontes own life and experiences were so closely interwoven with the heroine's. As well as this we learn only at the end of the novel that the events are being related to us ten years after the reconciliation with Rochester - thus the narrative is RETROSPECTIVE (looking back). CB is clever in blending the narrative so that at times Jane seems to be speaking as an alt with alt hindsight , while at others she she is "in the middle" of them, as a child or young woman. The indecision which is a central issue in the book, is heightened by this device. We never know, as readers, whether to be entirely trustful of Janes actions and thoughts, because we are never sure wheher she is speaking impulsively or maturely.
This intensifies the readers dilemma as to what is "right" and "wrong" in the dramatic relationships which are part of JE's life. Can we believe what the heroine says, or is she deceiving herself? The novel is primarily a love story and a "romance" where wishes come true but only after trials and suffering. The supernatural has its place, as do dreams, portents and prophesies. The heroine begins poor and lonely and ends up rich and loved; the orphan finds a good family to replace the wicked one; all the basic ingredients of classic romantic fairytale are present.
The romantic element is present in two forms in Jane Eyre; the "family" aspect is dealt with in the Gateshead, Lowood and Moor House episodes, which involve the exchanging of the wicked Reed family for the benevolent Rivers one; and the Love romance is dealt with in the Thornfield and Ferndean episodes. Both aspects are, of course linked and interwoven throughout the novel.
There is also a strong element of realism in the novel, which, married to the romantic aspect, enhances the novel's strength.The sense of place is very strong; we are able to experience both exterior and interior settings with startling clarity throughout the story, in a series of vivid deive passages. The central characters are also realistic and their confrontations and sufferings change them in a believable way.
Even the unlikely is made plausible, with a unique blend of high drama and perceptive low comedy (the attack on Mason, for instance)
The more fantastic romantic aspects; the coincidences; the secrets; the supernatural occurrences, are balanced by the realism, and this is of course a major strength.
The Gothic influence cannot be ignored, although CB has refined the technique considerably from the "authentic" Gothic of the 1790's. In the original genre, the heroine would typically be abcted and threatened with section, or worse!. There would be a lover - a respectable, well-bred young man - who would endeavor to rescue the heroine and would succeed after many trial. the secer would be a brigand "Know that I adore Corsairs!" and he would lock the girl up in a remote castle.
There was little freedom for middle class women ring the period of the Gothic novel, and this was still the case in the time of CB. Marriage especially was often a bargain, whereby fortunes were secured by using the female as a pawn. A woman's value largely depended therefore on her sexual purity and she was guarded and secured as a result. Men, on the contrary, were potent and free; lovers and mistresses were common. Ironically the women who provided their services were social outcasts as a result.
In Jane Eyre we see elements of the Gothic romance, in that Thornfield Hall and Rochester are described very much in the brigand/castle style BUT Jane Eyre is not abcted by R. On the contrary she chooses to go there of her own free will. AND she is clear in her determination to have Rochester as a husband. Neither is there a gentleman rescuer; St John Rivers may look like a Greek God, but he is neither kind nor benevolent; driving Jane back to Ferndean, not rescuing her from it.
The trials which the hero is supposed to undergo in a Gothic romance are in fact undergone by the heroine in Jane Eyre. The bandit Rochester is only skin-deep. Underneath the brooding exterior is a sensitive soul, which a WOMAN frees. In this way we see that CB created rather a daring departure from conventional fiction, although there are still many aspects of the novel which remain true to Victorian convention.!
你可以自己再修改下哦!!!