选修六英语课文语法

❶ 选修6英语unit1课文句子分析

可以来张图片么

❷ 那里有外研社英语必修五，选修六的单词表和课文及语法讲解

Unit 1

Disneyland n 迪斯尼乐园
castle n 城堡
the Sleeping Beauty 睡美人城堡
ahead adv 在前；向前
yard n 码
bear n 熊
Bear Country 熊国
horse-drawn 用马拉的
streetcar 市内有轨电车
tower n 塔
the Tomorrow Land Building 未来国大厦
men’s room 男厕所
sign n 符号；标记
ΔWalt Disney 沃尔特·迪斯尼（人名）
cartoon n 动画片
film-maker影片制作人
ΔChicago n 芝加哥（美国城市）
ΔKansas City 堪萨斯城（美国城市)
take along 随身带着
in the hope of 怀着....的期望
well-known 出名的；众所周知的
lose heart 失去信心；灰心
garage n 汽车间（库）
mouse (pl mice ）n 鼠；耗子
day after day 日复一日地

in this way 用这种方法
unsuccessful adj 不成功的；失败的
Mickey Mouse 米老鼠
cartoon-maker 动画制作人
character n （小说、戏剧等）人物；角色
ΔDonald Duck 唐老鸭
studio n 工作室；演播室
Snow White 白雪公主
ΔDisney World 迪斯尼世界
Euro Disney 欧洲迪斯尼
Operate vt 经营；管理
strict adj 严格的；严密的
beard n （下巴上的）胡须
imagine vt 想象；设想
view n 眺望；观察；风景；景色
button n 钮扣；（电铃等的）按钮
heat n 热
vt 把....加热
bring on 使前进
magic adj 有魔力的
Δthe Magic Castle 神秘城堡
carriage n 火车车厢

Unit 2

ΔHank 汉克（男名）
cigarette n 纸烟；香烟
go ahead 进行；开始；往下说

permission n 允许；许可；同意
typewriter n 打字机
tape-recording n 磁带录音
male adj 男（性）的
tobacco n 烟草；烟叶
smoker n 吸烟者
burn down 把……烧成平地；烧光
packet n 小包裹；袋
nation n 民族；国家
habit n 习惯；习性
persuade vt 说服；劝说
chance n 机会；可能性
rece vt 减少；缩减
compare vt 比较；对照

compared to 与………相比
therefore adv 因此；所以
remain vt 保持；仍是
ban n&vt 禁止；禁令
public adj 公共的；公开的
give up 放弃
nicotine n 尼古丁
drug n 药；药物
get into the habit of 染上……的习惯
be used to 习惯于
cancer n 癌症
dislike vt 不喜爱；厌恶
smelly adj 有臭味的；发出臭味的
non-smoker n 不抽烟的人
share vt 分享；共同使用
hardly adv 几乎不；简直不
club n 俱乐部
compare....with.... 把……和……进行比较

Unit 3

manage vt&vi 设法 ,对付；管理
dining room 餐厅
type vt 打字 n 类型
composition n 作文；作曲
body language 身势语
handshake n 握手
wave vt&vi 挥手；挥动
nod vt&vi 点头
agreement n 同意；一致
disagreement n 意见不同；不同意
gesture n 姿势；手势
Asian adj 亚洲（人）的
kiss n, vi&vt 吻
Arab n 阿拉伯人
adj 阿拉伯的
custom n 习惯；风俗；习俗
ΔPuerto Rico n 波多黎各（拉丁美洲）
proud adj 骄傲的；

❸ 人教版选修六英语课文 求原文

哪一张？

❹ 高中英语选修6里面的课文

Unit 1 Art-Reading
A SHORT HISTORY OF WESTERN PAINTING

Art is influenced by the customs and faith of a people. Styles in Western art have changed many times. As there are so many different styles of Western art, it would be impossible to describe all of them in such a short text. Consequently, this text will describe only the most important ones, starting from the sixth century AD.

The Middle Ages (5th to the 15th century AD)

During the Middle Ages, the main aim of painters was to represent religious themes. A conventional artist of this period was not interested in showing nature and people as they really were. A typical picture at this time was full of religious symbols, which created feeling of respect and love for God. But it was evident that ideas were changing in the 13th century when painters like Giotto di Bondone began to paint religious scenes in a more realistic way.

The Renaissance (15th to 16th century)

During the Renaissance, new ideas and values graallv replaced those held in the Middle Ages.People began to concentrate less on religious themes and adopt a more humanistic attitude to life. At the same time painters returned to classical Roman and Greek ideas about art. They tried to paint people and nature as they really were. Rich people wanted to possess their own paintings, so they could decorate their superb palaces and great houses. They paid famous artists to paint pictures of themselves, their houses and possessions as well as their activities and achievements.
One of the most important discoveries ring this period was how to draw things in perspective. This technique was first used by Masaccio in 1428. When people first saw his paintings, they were convinced that they were looking through a hole in a wall at a real scene. If the roles of perspective had not been discovered, no one would have been able to paint such realistic pictures. By coincidence, oil paints were also developed at this time, which made the colours used in paintings look richer and deeper. Without the new paints and the new technique, we would not be able to see the many great masterpieces for which this period is famous.

Impressionism (late 19th to early 20th century)

In the late 19th century, Europe changed a great deal. from a mostly agricultural society to a mostly instrial one. Many people moved from the countryside to the new cities. There were many new inventions and social changes. Naturally, these changes also led to new painting styles. Among the painters who broke away from the traditional style of painting were the Impressionists, who lived and worked in Paris.
The Impressionists were the first painters to work outdoors. They were eager to show how light and shadow fell on objects at different times of day. However, because natural light changes so quickly, the Impressionists had to paint quickly. Their paintings were not as detailed as those of earlier painters. At first, many people disliked this style of painting and became very angr about it. They said that the painters were careless and their paintings were ridiculous.

Modern Art (20th century to today)

At the time they were created, the Impressionist paintings were controversial, but today they are accepted as the beginning of what we call "modem art". This is because the Impressionists encouraged artists to look at their environment in new ways. There are scores of modern art styles, but without the Impressionists, many of these painting styles might not exist. On the one hand, some modem art is abstract; that is, the painter does not attempt to paint objects as we see them with our eyes, but instead concentrates on certain qualities of the object, using colour, line and shape to represent them. On the other hand, some paintings of modern art are so realistic that they look like photographs. These styles are so different. Who can predict what painting styles there will be in the future?

THE BEST OF MANHATTAN’ ART GALLERIES

The Frick Collection (5th Avenue and E.70th Street)
Many art lovers would rather visit this small art gallery than any other in New York. Henry Clay Frick, a rich New Yorker, died in 1919, leaving his house, furniture and art collection to the American people. Frick had a preference for pre-twentieth century Western paintings, and these are well-represented in this excellent collection. You can also explore Frick's beautiful home and garden which are well worth a Visit.

Guggenheim Museum(5th Avenue and 88th Street)
This museum owns 5,000 superb modern paintings, sculptures and drawings. These art works are not all displayed at the same time. The exhibition is always changing. It will appeal to those who love Impressionist and Post-Impressionist paintings. The Guggenheim Museum building is also world-famous. When you walk into gallery, you feel as if you
were inside a fragile, white seashell. The best way to see the paintings is to start from the top floor and walk down to the bottom. There are no stairs just a circular path. The museum also has an excellent restaurant.

Metropolitan Museum of Art (5th Avenue and 82nd Street)
The reputation of this museum lies in the variety of its art collection. This covers more than 5,000 years of civilization from many parts of the world, including America, Europe, China, Egypt, other African countries and South America. The museum displays more than just the visual delights of art. It introces you to ancient ways of living. You can visit an Egyptian temple, a fragrant Ming garden, a typical room in an 18th century French house and many other special exhibitions.

Museum of Modern Art (53rd Street, between 5th and 6th Avenues)
It is amazing that so many great works of art from the late 19th century to the 21st century are housed in the same museum. The collection of Western art includes paintings by such famous artists as Monet, Van Gogh, Picasso and Matisse. A few words of warning: the admission price is not cheap and the museum is often very crowded.

Whitney Museum of American Art (945 Madison Avenue, near 75th Street)
The Whitney holds an excellent collection of contemporary American painting and sculpture. There are no permanent displays in this museum and exhibitions change all the time. Every two years, the Whitney holds a special exhibition of new art by living artists. The museum also shows videos and films by contemporary video artists

❺ 英语 选修六课文翻译 新人教版

艺术

西方的艺术风格经历了多次变革，而中国艺术所经历的变革则比较少。艺术受到人民生活方式和信仰的影响，而中国，和欧洲不同，它的生活方式在很长时期里都是相近的。

西方艺术风格多种多样，在短短的一篇课文里不可能进行全面的描述。因此，本文只谈从公元5世纪以来少数几种主要的艺术风格。

中世纪（公元5世纪到15世纪）

在中世纪，画家的主要任务是把宗教的主题表现出来。艺术家们无意于如实地展现自然和人物，却着意体现对上帝的爱戴与敬重，因此，这段时期的绘画充满着宗教的信条。到13世纪时，情况已经开始发生变化，像乔托这样的画家们开始以一种比较现实的风格来画宗教场景。

文艺复兴时期（15世纪到16世纪）

在文艺复兴时期，新的思想和价值观取代了中世纪的思想和价值观。人们开始更多地关注人而非宗教。画家们回到了罗马、希腊的古典艺术理念上。他们力争如实地画出人物和自然。

富人们想为自己的宫殿和豪宅收集艺术品，他们高价聘请著名艺术家来为自己画相，画自己的房屋和其它财物，以及他们的活动和成就。

在此期间，最重要的发现之一就是如何用透视法来画出事物。第一个在绘画中使用透视法的人是马萨乔，那是在1428年。当人们第一次看到他的画时，还以为是透过墙上的小洞来观看真实的场景，并对此深信不疑。

如果没有发现透视法，人们就不可能画出如此逼真的画。在文艺复兴对期，油画也得到了发展，它使得色彩看上去更丰富、更深沉。

印象派时期（19世纪后期到20世纪初期）

19世纪后期，欧洲发生了巨大的变化，从以农业为主的社会变成了以工业为主的社会。许多人从农村迁入到新城市。有着许多新发明，还有许多社会变革。这些变革也自然而然地导致了绘画风格上的变化。在那些突破传统画法的画家中有生活和工作在法国巴黎的印象派画家。

印象派画家是第一批室外写景的艺术家。他们想把一天中不同时间投射到物体上的光线和阴影呈现出来。由于自然光的变化很快，所以印象派画家们必须很快地作画，因此，他们的画就不像以前那些画家的画那样细致了。起初，多数人都讨厌这种新式画法，甚至还怒不可遏。

他们说这些画家作画时漫不经心、粗枝大叶，而他们的作品更是荒谬可笑。

现代艺术（加世纪至今）

在印象派作品的创建初期，它们是存在着争议的，但是如今已被人们接受而成为现在所说的"现代艺术"的始祖了。如今，现代艺术风格已经有好几十种，然而如果没有印象派，那么这许多不同的风格就不可能存在。印象派画家帮助艺术家甩新的方涣来观察环境与艺术。

有些现代艺术养砷象的，《祖就是说，；画家并不打算把我们眼睛看到的东西如实地画出来，而是集中展现物体的某些品质特性，用色彩、线条和形状把它们呈现出来。而另一方面，有些现代派的艺术作品却是太现实了，它看上去就像是一张照片。

预言将来绘画艺术的风格倒是饶有兴趣的一件事。

(5)选修六英语课文语法扩展阅读：

英语翻译五大技巧：

第一、转换句子法。

顾名思义，转换句子法就是在英译中，或者中译英的翻译题里，为了使将要译出的句子符合中文/英文里面的表达习惯、方法和方式等目标，而把题目中原句的语态、所用词类以及句型等进行处理转换。

1、在语态上，把主动语态变为被动语态（中译英），或者把被动语态变为主动语态（英译中）。

2、在词性上面，用介词、形容词、副词、名词等来替换原来的动词，用动词、形容词、代词来替代名词，或者用短语、副词来替代形容词。

3、在句子成分的方面，用表语、定语、状语、宾语来替换主语，用表语、主语、定语转换谓语，或者用主语、状语转换定语。

4、在句型上面，可以把简单句和复杂句互换，复合句痛并列句互换，或将定语从句转化为状语从句。

第二、省略翻译法

这与最开始提到的增译法相反，就是要求你把不符合汉语，或者英语的表达的方式、思维的习惯或者语言的习惯的部分删去，以免使所翻译出的句子沉杂累赘。

第三、合并法

合并翻译法就是把多个短句子或者简单句合并到一起，形成一个复合句或者说复杂句，多出现在汉译英的题目里出现，比如最后会翻译成定语从句、状语从句、宾语从句等等。

这是因为汉语句子里面喜欢所谓的“形散神不散”，即句子结构松散，但其中的语意又是紧密相连的，所以为了表达出这种感觉，汉语多用简单句进行写作。

而英语则不同，它比较强调形式，结构严谨，所以会多用复杂句、长句。因此，汉译英时还需要注意介词、连词、分词的使用。

第四、拆分法

当然，英译汉的时候，就要采取完全相反的战术——拆分法，即把一个长难句细细拆分为一个个小短句、简单句，并适当补充词语，是句子通顺。最后，注意还需要按照汉语习惯调整语序，达到不仅能看懂而且不拗口的目标。

第五、插入法

就是把不能处理的句子，利用括号、双逗号等插入到所翻译的句子中，不过这种方法多用在笔译里面，口译用的非常少。