❶ 求一篇人物傳記，英文的
上google裡面搜索Edward Hopper
維基網路（Wikipedia）里就有介紹
或
"Edward Hopper, the best-known American realist of the inter-war period, once said: 'The man's the work. Something doesn't come out of nothing.' This offers a clue to interpreting the work of an artist who was not only intensely private, but who made solitude and introspection important themes in his painting.
"He was born in the small Hudson River town of Nyack, New York State, on 22 July 1882. His family were solidly middle-class: his father owned a dry goods store where the young Hopper sometimes worked after school. By 1899 he had already decided to become an artist, but his parents persuaded him to begin by studying commercial illustration because this seemed to offer a more secure future. He first attended the New York School of Illustrating (more obscure than its title suggests), then in 1900 transferred to the New York School of Art. Here the leading figure and chief instructor was William Merritt Chase (1849-1916), an elegant imitator of Sargent. He also worked under Robert Henri (1869-1929), one of the fathers of American Realism - a man whom he later described as 'the most influential teacher I had', adding 'men didn't get much from Chase; there were mostly women in the class.' Hopper was a slow developer - he remained at the School of Art for seven years, latterly undertaking some teaching work himself. However, like the majority of the young American artists of the time, he longed to study in France. With his parents' help he finally left for Paris in October 1906. This was an exciting moment in the history of the Modern movement, but Hopper was to claim that its effect on him was minimal:
Whom did I meet? Nobody. I'd heard of Gertrude Stein, but I don't remember having heard of Picasso at all. I used to go to the cafés at night and sit and watch. I went to the theatre a little. Paris had no great or immediate impact on me.
"In addition to spending some months in Paris, he visited London, Amsterdam, Berlin and Brussels. The picture that seems to have impressed him most was Rembrandt's The Night Watch (in the Rijksmuseum, Amsterdam). Hopper was able to repeat his trip to Europe in 1909 and 1910. On the second occasion he visited Spain as well as France. After this, though he was to remain a restless traveller, he never set foot in Europe again. Yet its influence was to remain with him for a long time: he was well read in French literature, and could quote Verlaine in the original, as his future wife discovered (he was surprised when she finished the quotation for him). He said later: '[America] seemed awfully crude and raw when I got back. It took me ten years to get over Europe.' For some time his painting was full of reminiscences of what he had seen abroad. This tendency culminates in Soir Bleu of 1914, a recollection of the Mi-Caréme carnival in Paris, and one of the largest pictures Hopper ever painted. It failed to attract any attention when he showed it in a mixed exhibition in the following year, and it was this failure which threw him back to working on the American subjects with which his reputation is now associated. In 1913 Hopper made his first sale - a picture exhibited at the Armory Show in New York which brought together American artists and all the leading European modernists. In 1920 he had his first solo exhibition, at the Whitney Studio Club, but on this occasion none of the paintings sold. He was already thirty-seven and beginning to doubt if he would achieve any success as an artist - he was still forced to earn a living as a commercial illustrator. One way round this dilemma was to make prints, for which at that time there was a rising new market. These sold more readily than his paintings, and Hopper then moved to making watercolours, which sold more readily still.
"Hopper had settled in Greenwich Village, which was to be his base for the rest of his life, and in 1923 he renewed his friendship with a neighbour, Jo Nivison, whom he had known when they were fellow students under Chase and Henri. She was now forty; Hopper was forty-two. In the following year they married. Their long and complex relationship was to be the most important of the artist's life. Fiercely loyal to her husband, Jo felt in many respects oppressed by him. In particular, she felt that he did nothing to encourage her own development as a painter, but on the contrary did everything to frustrate it. 'Ed,' she confided to her diary, 'is the very centre of my universe... If I'm on the point of being very happy, he sees to it that I'm not.' The couple often quarrelled fiercely (an early subject of contention was Jo's devotion to her cat Arthur, whom Hopper regarded as a rival for her attention). Sometimes their rows exploded into physical violence, and on one occasion, just before a trip to Mexico, Jo bit Hopper's hand to the bone. On the other hand, her presence was essential to his work, sometimes literally so, since she now modelled for all the female figures in his paintings, and was adept at enacting the various roles he required.
"From the time of his marriage, Hopper's professional fortunes changed. His second solo show, at the Rehn Gallery in New York in 1924, was a sell-out. The following year, he painted what is now generally acknowledged to be his first fully mature picture, The House by the Railroad. With its deliberate, disciplined spareness, this is typical of what he was to create thereafter. His paintings combine apparently incompatible qualities. Modern in their bleakness and simplicity, they are also full of nostalgia for the puritan virtues of the American past - the kind of quirky nineteenth-century architecture Hopper liked to paint, for instance, could not have been more out of fashion than it was in the mid-192OS, when he first began to look at it seriously. Though his compositions are supposedly realist they also make frequent use of covert symbolism. Hopper's paintings have, in this respect, been rather aptly compared to the realist plays of Ibsen, a writer whom he admired.
"One of the themes of The House by the Railroad is the loneliness of travel, and the Hoppers now began to travel widely within the United States, as well as going on trips to Mexico. Their mobility was made possible by the fact that they were now sufficiently prosperous to buy a car. This became another subject of contention between the artist and his wife, since Hopper, not a good driver himself, resisted Jo's wish to learn to drive too. She did not acquire a driving licence until 1936, and even then her husband was extremely reluctant to allow her control of their automobile.
"By this time Hopper, whose career, once it took off, was surprisingly little affected by the Depression, had become extremely well known. In 1929, he was included in the Museum of Modern Art's second exhibition, Paintings by Nineteen Living Americans, and in 1930 The House by the Railroad entered the museum's permanent collection, as a gift from the millionaire collector Stephen Clark. In the same year, the Whitney Museum bought Hopper's Early Sunday Morning, its most expensive purchase up to that time. In 1933 Hopper was given a retrospective exhibition at the Museum of Modern Art. This was followed, in 1950, by a fuller retrospective show at the Whitney.
"Hopper became a pictorial poet who recorded the starkness and vastness of America. Sometimes he expressed aspects of this in traditional guise, as, for example, in his pictures of lighthouses and harsh New England landscapes; sometimes New York was his context, with eloquent cityscapes, often showing deserted streets at night. Some paintings, such as his celebrated image of a gas-station, Gas (1940), even have elements which anticipate Pop Art. Hopper once said: 'To me the most important thing is the sense of going on. You know how beautiful things are when you're travelling.'
"He painted hotels, motels, trains and highways, and also liked to paint the public and semi-public places where people gathered: restaurants, theatres, cinemas and offices. But even in these paintings he stressed the theme of loneliness - his theatres are often semideserted, with a few patrons waiting for the curtain to go up or the performers isolated in the fierce light of the stage. Hopper was a frequent movie-goer, and there is often a cinematic quality in his work. As the years went on, however, he found suitable subjects increasingly difficult to discover, and often felt blocked and unable to paint. His contemporary the painter Charles Burchfield wrote: 'With Hopper the whole fabric of his art seems to be interwoven with his personal character and manner of living.' When the link between the outer world he observed and the inner world of feeling and fantasy broke, Hopper found he was unable to create.
"In particular, the rise of Abstract Expressionism left him marooned artistically, for he disapproved of many aspects of the new art. He died in 1967, isolated if not forgotten, and Jo Hopper died ten months later. His true importance has only been fully realized in the years since his death."
❷ 推薦一些比較簡單的英語原版的人物傳記，初三左右的水平。小說這些不...
看床頭燈系列書，有3000詞和5000詞的，可以去書店問問。另外，還有邁克喬丹、老虎伍回茲、JK羅琳、斯皮爾伯格答、溫弗瑞等人的傳記，都特別短，詞彙較床頭燈更適合初三的學生，內容也很勵志，但出版社給忘了。
❸ 一篇英文的人物傳記
Name:guanzhong huang
Sex:male
English:Paul Wong
Birthday:1964-3-31
Nationality:China
Region:harbor set
Height:169
Usually introce:83 year, the Beyond constitute, for attending a music game, the Beyond hasn't model at that time, 84 years the PAUL join, Chen Anne left a brigade, 86 years, Liu2 Zhi4 far joined, but left a brigade in 88 years, and 4 people combined to formally model.The 85 years' Beyond's oneself's property openned the first singing performance 《 for forever 》, 86 year, Beyond oneself more the property created 《again see ideal 》the record, Beyond and record company make a contract, 87 year, 1 《wait for forever 》of EP, along with publish for 88 years of the third record 《old day footprint 》, the Beyond starts head for brilliancy.
Beyond this English sound of a character is nearby at"different of".They are different, but not that a first light of day that the Electronica of guitar brought fragile and dispirited Hong Kong music revolution.Work a singer, guitarist in the music band in the yellow Guan, with sound, compose, write words, plait song.
❹ 英語作文居里夫人的人物傳記
Marie Curie (1867- 1934) who said, "Madame Curie," Full name: Maria Curie 斯克沃多夫斯 card. French famous Polish scientist, physicist, chemist. November 7, 1867 was born in Warsaw.
In 1903, Pierre and Marie Curie and Henri Becquerel of radioactivity because the study shared the Nobel Prize in Physics in 1911 for his discovery of the elements polonium and radium Nobel Prize for chemistry once again, become the first won two Nobel Award of people. Marie Curie's accomplishments include creating a theory of radioactivity, radioisotope separation technology invention discovered two new elements polonium and radium. Under her guidance, people first radioisotopes used to treat cancer. Due to the long exposure to radioactive substances, Marie Curie on July 3, 1934 e to the death of malignant leukemia.
瑪麗·居里（1867-1934年）世稱「居里夫人」，全名：瑪麗亞·斯克沃多夫斯卡·居里。 法國著名波蘭裔科學家、物理學家、化學家。1867年11月7日生於華沙。
1903年，居里夫婦和貝克勒爾由於對放射性的研究而共同獲得諾貝爾物理學獎，1911年，因發現元素釙和鐳再次獲得諾貝爾化學獎，成為歷史上第一個兩獲諾貝爾獎的人。居里夫人的成就包括開創了放射性理論、發明分離放射性同位素技術、發現兩種新元素釙和鐳。在她的指導下，人們第一次將放射性同位素用於治療癌症。由於長期接觸放射性物質，居里夫人於1934年7月3日因惡性白血病逝世。
❺ 書籍種類有哪些(用英語說) 如: biography——人物傳記 science fiction
書籍種類有：
magazine——雜志
textbook、course book、schoolbook——教科書
primer——啟蒙書
instruction book——說明書
autobiography——自傳
fairy tale book——童話書
fable book——寓言書
dictionary——字典
reference book——參考書
historical novel——歷史小說
documentary fiction——紀實小說
realistic novel——現實主義小說
romantic novel——浪漫小說
political novel——政治小說
detective novel——偵探小說
mystery novel——懸疑小說
horror fiction——恐怖小說
network novel——網路小說
encyclopedia——網路全書
Bible——聖經
有關英語學習的資料拓展：
1、堅持每天學習
每天都堅持學英語很重要。但是，也不要太誇張了！每天學習30分鍾比一周學習兩個小時效果更好。短暫的、定期的練習比起不定期的長時間學習效果更好。每天堅持學習英語的習慣可以使你大腦中儲存的英語知識保持在活躍的狀態。
在閱讀一篇新的文章或觀看一個新的視頻時，給你自己定下一個語法目標。例如，試著寫下你正在學習的一個形式，例如現在完成時。使用熒光筆（或彩色筆）在你學習的文本重點處做上記號。
3、使不同的學習方法
不要只使用一種方法來學習英語。使用不同的方法能夠使你大腦（多元智能）中不同的區域發揮作用。例如；如果您在學習新的詞彙，可以畫一張詞語地圖，或描繪出一幅圖，列出一個清單並進行學習，將這些詞語分五次敲出來。所有這些方法作用在一起可以幫助你加強學習。
4、尋找學習搭檔
沒有什麼比得上和幾個朋友一起學習了。你們可以一起做練習，一起對話（用英語！）。當你們一起學習英語的時候，可以針對不懂的練習互相幫助。
5、選擇你感興趣的話題
重要的一點就是，選擇你喜歡的話題來學習英語。這樣可以使你激發動力，因為你是一邊學英語，一邊學習你感興趣的話題。
6、利用准備活動來學習英語
就像在你打籃球或做其他運動之前，都會做一些暖身運動一樣，你也可以通過一些練習來幫助你做一些學習英語的准備活動。
8、激活詞彙
通過思考或簡述即將開展的主題，可以激活你的詞彙。例如，如果你要學習關於度假的英語話題，你可以花點時間想想上一次的假期、你都做了些什麼、喜歡什麼等等。在學習特定的英語主題時，這個簡單的練習可以幫助你的大腦為學習詞彙做好准備。
9、激活語法
在開始學習之前，想一想通用的語法點來激活你的語法。例如，如果你是要學習英語語法中的過去時態，可以停下來想想上周你做了什麼。通過激活語法，你可以以簡單的方式使自己的大腦回想起關於一般過去時的知識。
10、唱歌
在上課或你開始學習英語之前，可以唱一首英語歌。你要確保歌里的每個詞都認識並理解。這種簡短有趣的練習可以幫助你的大腦輕松地將精力集中在英語上。輕松地學習英語很重要！唱歌可以幫助激活大腦中創造性的一面，從而使你在練習對話或進行創意寫作時能想出更多的例子。
11、寫一小段英語文章
如果你是坐在桌前學習英語，從打出一段簡單的英文開始吧。你可以寫寫你的一天都幹了什麼，你的愛好，你的朋友等等。打字可以幫助激活你大腦中運動的部分，這有助於從生理行為方面促進學習。我還推薦學語法的時候打字，這可以通過動作固化你的記憶。
12、一千個詞
英語里有句話說的好：一幅畫頂一千個詞。試著描繪一張照片或者其他的圖片，這樣有助於激活你大腦中創造性的一面。你還可以選擇一張與你即將學習的主題相關的圖片，結合這個方法激活你的詞彙。
❻ 書籍種類有哪些(用英語說) 如: biography——人物傳記 science fiction
Love
stories
戀愛類
Adventure
探險類
Horror
恐怖類
Detective
stories
偵探類
History
歷史類
phylosophy
哲學類
poem
詩歌類
novel
小說類
❼ 求一篇英文人物傳記
glass castle(玻璃城堡) soul surfer(靈魂沖浪) 《A diary of a little girl》 安妮日記 by frank Anne Into the wild（荒野生存）
❽ 初二英語作文 許嵩人物傳記 60詞左右
徐浩什麼人。。你他水軍呀。。。他和你都是什麼東西，，，鄙視你們。。
❾ 初中英語人物傳記
Bill Gates is the most important man in software and computer business.Bill Gates was born on October 28,1995.He grew up in Seattle in the United States,His father,William,was a lawyer .His mother,Mary,was a teacher .He wrote his first software at high school.When he was a student at Hatvard University he wanted to start his own company .So he left the university.
In 1975 he began his company Microsoft with his friend ,Paul Allen.After many years of hard work,Bill Gates became the richest person in the world in 1998.Now his company makes software for about 80% of the world,s computers,Bill Gates has become famous all over the world.
❿ 企鵝英語初一 初二 人物傳記的文章 原文！
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